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Master of the Embroidered Foliage information


Virgin and Child in a Landscape
ArtistMaster of the Embroidered Foliage
Yearcirca 1490
Mediumoil on panel
Dimensions83.8 cm × 60.3 cm (33.0 in × 23.7 in)
LocationPhiladelphia Museum of Art
Accession2518
WebsiteMuseum page

The Master of the Embroidered Foliage (active c. 1480c. 1510) is the Notname for an Early Netherlandish painter or a group of painters who worked out of Bruges and Brussels.

In 1926 the German art historian Max Jakob Friedländer attributed a group of paintings of the Virgin and Child in a landscape, in identical poses to the "Master of the Embroidered Foliage". The foliage painted in these works was likened by Friedländer to the repeated pattern of stitches in embroidery, thus the unusual name for the artist. The paintings show elements of previous works by Rogier van der Weyden and Hans Memling. Of the five paintings considered by Friedländer, three are in the United States, at the Philadelphia Museum of Art, Minneapolis Institute of Arts, and Clark Art Institute, and the other two in Europe, at the Groeningemuseum, Bruges, and the Musée des Beaux-Arts, Lille. Other paintings attributed to this group of artists are in the Louvre in Paris, the Detroit Institute of Arts, and in the National Gallery of Scotland, Edinburgh; these also show a very similar Virgin and Child, but against somewhat different backgrounds.

The Clark Art Institute conclude their investigation of the "Virgin and Child in a Landscape" paintings as follows: "Our analysis, based on laboratory study and consideration of fifteenth-century workshop practices, demonstrates that these panels were all produced between 1482 and the early 16th century not by one but by several artists, perhaps sharing a common template for the main figures. Unless further conclusive evidence comes to light, however, we will continue to attribute the paintings to the Master of the Embroidered Foliage, while acknowledging that this is a catch-all name referring to a number of painters active in Brussels and Bruges in the late 15th century."[1]

  1. ^ Who was the Master of the Embroidered Foliage?

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Master of the Embroidered Foliage

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The Master of the Embroidered Foliage (active c. 1480 – c. 1510) is the Notname for an Early Netherlandish painter or a group of painters who worked out...

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Old Master

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757 (from the shelf mark of a manuscript he illuminated), Master of the Embroidered Foliage (from his characteristic technique), Master of the Brunswick...

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include the Master of the Embroidered Foliage (active c. 1480 to c. 1510) so named after his distinctive way of painting grass and trees, the Master of Sierentz...

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Robert Campin

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identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was a master painter who...

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Hieronymus Bosch

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verdigris for foliage and foreground landscapes, and lead-tin-yellow, ochres and red lake (carmine or madder lake) for his figures. One of his most famous...

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Hans Memling

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became one of the leading artists and the master of a large workshop. A tax document from 1480 lists him among the wealthiest citizens. Memling's religious...

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(painter) Master of the Drapery Studies (also known as Master of the Coburg Roundels) Master of the Egmont Albums Elmelunde Master Master of the Embroidered Foliage...

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Hubert van Eyck

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having been paid in 1409 for panels in the church of Onze Lieve Vrouwe, Tongeren. He is probably also Master Hubert who had painted a panel bequeathed...

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Early Netherlandish painting

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the focal portions, such as the faces, hands and the embroidered parts of the figure's clothing. The more prosaic elements would be left to assistants;...

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Aert van den Bossche

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Jan van Eyck

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the churches with embroidered cloths and metal accessories such as chalices, plates and candlesticks. Eyck usually gives Mary three roles: Mother of Christ;...

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Hugo van der Goes

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Quentin Matsys

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Erwin Panofsky

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was pursued mostly in the U.S. after the rise of the Nazi regime. His work represents a high point in the modern academic study of iconography, including...

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Joachim Patinir

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Jan Gossaert

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influenced by artists who came before him, such as Rogier van der Weyden, the great master of Tournai and Brussels and, like him, his compositions were usually...

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academic title (Master) before he became a painter and that he was awarded the wine of honour on the occasion of his graduation. The sophisticated and...

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Gerard David

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Justus van Gent

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to the oeuvre of Hugo van der Goes. The two masters likely worked together before van Wassenhove left for Rome. There is also a relationship with the work...

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Dieric Bouts

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List of Flemish painters

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