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Jan Gossaert information


Jan Gossaert-self portrait (1515–1520). Collection of the Currier Museum of Art, Manchester, New Hampshire
St Luke Painting the Madonna by Jan Gossaert (1520–25) Wood, 109.5 × 82 cm Kunsthistorisches Museum, Vienna

Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503.[1] He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity.

From at least 1508 he was apparently continuously employed, or at least retained, by quasi-royal patrons, mostly members of the extended Habsburg family, heirs to the Valois Duchy of Burgundy. These were Philip of Burgundy, Adolf of Burgundy, Christian II of Denmark when in exile, and Mencía de Mendoza, Countess of Nassau, third wife of Henry III of Nassau-Breda.[2]

He was a contemporary of Albrecht Dürer and the rather younger Lucas van Leyden, whom he knew, but he has tended to be less highly regarded in modern times than they were. Unlike them, he was not a printmaker, though his surviving drawings are very fine, and are preferred by some to his paintings.[3]

  1. ^ Crowe 1911.
  2. ^ Campbell, 1–3
  3. ^ Cummings, Laura, Jan Gossaert's Renaissance Review in The Guardian of the National Gallery exhibition, London and Washington, 2011

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Jan Gossaert

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Jan Gossaert (c. 1478 – 1 October 1532) was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace...

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collaborated in Haarlem in 1528). In 1524 Jan Gossaert is recorded at Duurstede Castle, near Utrecht, where Jan van Scorel was his pupil. Van Scorel began...

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Lambert Lombard

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theorist for the Prince-Bishopric of Liège. During his career he worked for Jan Gossaert in Middelburg and trained Frans Floris. Lombard was born in Liège, where...

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Jan van Eyck

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Bulletin, Volume 66, No. 4, December 1984 Jones, Susan Frances. Van Eyck to Gossaert. National Gallery, 2011. ISBN 978-1-85709-504-3 Kemperdick, Stephan. The...

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Guild of Saint Luke

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paintings, set up a tradition that was followed by many subsequent artists. Jan Gossaert's work in the Kunsthistorisches Museum, Vienna (illustrated, top right)...

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Adoration of the Magi

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Kings (van der Goes), Gemäldegalerie, Berlin The Adoration of the Kings (Gossaert), National Gallery, London Adoration of the Magi (Leonardo), Uffizi, Florence...

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Jan Cornelisz Vermeyen

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Lampsonius. Vermeyen was a painter and tapestry designer, probably a pupil of Jan Gossaert. About 1525 he became court painter to Margaret of Austria, regent of...

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Armillary sphere

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Museum of Natural History Young girl with an astronomical instrument, by Jan Gossaert, c. 1520-1540 Portrait in the frontispiece of Antoine Crespin's Propheties...

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Madonna and Child Playing with the Veil

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painter Jan Gossaert. It is housed in the Mauritshuis museum of The Hague, Netherlands. This work is one of the most copied works of Gossaert (Mabuse)...

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Hans Memling

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Pierre Coustain Jacques Daret Gerard David Jean Delemer Jan de Beer Colijn de Coter Jan Gossaert Gerard Horenbout Lucas Horenbout Adriaen Isenbrandt Cornelis...

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Hermaphroditus

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Jacopo Pontormo The metamorphosis of Hermaphrodite and Salmacis by Jan Gossaert (Jan Mabuse) Salmacis et Hermaphrodite by Jean Daullé The most famous sculpture...

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Madonna in the Church

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votive portrait. Near-contemporary copies by the Master of 1499 and Jan Gossaert pair it with two very different right-hand images: one is of a donor...

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Early Netherlandish painting

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previous century's techniques and styles. Even progressive artists such as Jan Gossaert made copies, such as his reworking of van Eyck's Madonna in the Church...

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Renaissance in the Low Countries

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worked in the Low Countries for most of their careers, Flemish painter Jan Gossaert, whose visit to Italy in 1508 in the company of Philip of Burgundy left...

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Hieronymus Bosch

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Duchy of Brabant. His grandfather Jan van Aken (died 1454) was a painter and is first mentioned in the records in 1430. Jan had five sons, four of whom were...

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Jan Sanders van Hemessen

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career at the royal court in Mechelen. Here he may have first encountered Jan Gossaert, a court painter, as well as the Master of the Legend of the Magdalen...

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Hubert van Eyck

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September 1426) was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of...

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Rovigo

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Flagellation of Christ by Palma the Elder, a Venus with the Mirror by Jan Gossaert, and portraits by Tiepolo and Alessandro Longhi. Barchessa Candiani,...

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Antwerp school

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Italian tradition that developed at the end of the High Renaissance. Jan Gossaert was a major artist in the city at this time. Other artists, such as Frans...

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Palazzo Abatellis

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Malvagna triptych by the Early Netherlandish painters: Jan Gossaert and Gerard David, and a Deposition by Jan Provost. It also houses a depiction of Moses by...

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Lucas van Leyden

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nude figure. Two further artistic influences were Albrecht Dürer and Jan Gossaert. Indeed, he was friends with both, and Dürer drew van Leyden's portrait...

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Doria Pamphilj Gallery

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1445–1450) 117 × 173 cm Hans Memling, Lamentation (c. 1470) 68 × 53 cm Jan Gossaert, 'Doria-Pamphilj Diptych (c. 1508) 40 × 22 cm Titian, Salome (c. 1515)...

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