Theatre of Cameroon consists in the theatrical plays produced across Cameroon. Its history dates back to the pre-colonial time, but it has gained wide popularity since the 1970s, with practitioners such as Daniel Ndo, Dieudonné Afana and David Kemzeu (alias Deiv K. Moktoï). It is made of different trends, some of them are more inflected by the European theatrical tradition, some others are more attuned to the indigenous performative styles.[1] The comic genre is presently dominating so that laughter has become synonymous with modern Cameroon theatre productions, according to Bole Butake.[2] Theatre of Cameroon is sometimes subdivided in traditional theatre, colonial theatre, and post-independence theatre.[3]
^Butake, Bole, Gilbert Doho (eds.). 1988. Théâtre camerounais, Cameroon theatre. Actes du Colloque de Yaounde.
^Butake, Bole. 1988. “Play Production in Cameroon”. Théâtre camerounais, Cameroon theatre. Bole Butake, Gilbert Doho (eds.). Actes du Colloque de Yaounde. 236–246.
^Ambassa Betoko, Marie-Thérèse. 2010. Le théâtre populaire francophone au Cameroun (1970-2003). Paris: Harmattan.
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