Sound Patterns (1961) is a musical piece for a cappella mixed chorus by Pauline Oliveros. Oliveros won the Gaudeamus International Composers Award in 1962 with this work.[1]
Rather than a traditional text, the work is constructed of phonetic sounds chosen on the basis of their timbre. The piece is entirely notated, lasts about four minutes, and features an exposition (measures 1–12), development (12–46), and recapitulation (47–59).
The sounds may be understood to reflect Oliveros' interest in electronic music, which she had recently begun to work with. Heidi Van Gunden (1983) illustrates this point by highlighting four types of sounds that correspond to basic electronic music techniques:[2]
white noise
ring-modulated sounds
percussive envelopes
filtered techniques
White noise is created vocally through the initial consonant "sh" and variations such as s, z, wh, p, t, h, ct, d, ch, th, k, and sw. Ring modulation is imitated through rapidly changing the vowel content, percussive envelopes through "lip pops," "tongue clicks," "snap fingers," and "flutter lips", and filtering through muting such as by covering the mouth with one's hand, sounding the consonant "M" through tightly closed lips, or singing through clenched teeth.[3]
It is Oliveros' "most carefully composed piece" and features only one measure of controlled improvisation linking the development to the recapitulation. The piece also predates similar compositions by György Ligeti and Karlheinz Stockhausen (Momente 1961–1962, revised 1965). Ligeti was actually one of the judges for the Gaudeamus competition and featured unusual vocal sounds in his Aventures (1962) and Nouvelles Aventures (1962–65). These works are all featured in Erhard Karkoschka's Notation in New Music (1966/English 1972).[4]
SoundPatterns (1961) is a musical piece for a cappella mixed chorus by Pauline Oliveros. Oliveros won the Gaudeamus International Composers Award in 1962...
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and arrangement of sound particles from a sample or the creation and exact placement of each particle to create complex soundpatterns or singular particles...
and Nevae. Variants have also been influenced by current fashionable soundpatterns for American names. Nevaeh (wrestler), stage name of Beth Crist (born...
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or swirled patterns on the body: neck, shoulders, sides, flanks, chest, and abdomen. The four known distinct patterns, each having a sound genetic explanation...
Recollection of sounds and soundpatterns Sequencing: Identify order of what was heard Figure-ground: Isolate one sound from background of other sounds Perception:...
Henry (2000), The Sounds of Language: An Introduction to Phonetics, Pearson, ISBN 978-1-31787776-9 Sapir, Edward (1925), "Soundpatterns in language", Language...
classification. Soundpatterns historically associated with Western New England English include the features of rhoticity (full pronunciation of all r sounds), the...
is contained. The sound wave, therefore, does not influence at all the shape of the vibrating body or the shape of the nodal patterns. The only thing that...
a Research and Development division to study the effects of various soundpatterns on human consciousness, including the sleep state. Monroe was especially...
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James, "The story of [w]: An exercise in the phonetic explanation for soundpatterns", in Whistler, Kenneth; Chiarelloet, Chris; van Vahn, Robert Jr. (eds...
it and create a hard stop. Some patterns (such as iambic pentameter) tend to be fairly regular, while other patterns, such as dactylic hexameter, tend...
doi:10.1017/S0025100307003131, S2CID 143444452 Shockey, Linda (2003), SoundPatterns of Spoken English, Blackwell Trudgill, Peter (1999), The Dialects of...
percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized...
illusions, particularly of music and of speech, result from hearing soundpatterns that are highly probable, even though they are heard incorrectly. This...