A depiction of a singer and a lyre player entertaining guests at a banquet c. 2500 BCE. Music was a normal part of social life in Mesopotamia. Detail from the Standard of Ur. British Museum, London.[1]
Music was ubiquitous throughout Mesopotamian history, playing important roles in both religious and secular contexts. Mesopotamia is of particular interest to scholars because evidence from the region—which includes artifacts, artistic depictions, and written records—places it among the earliest well-documented cultures in the history of music. The discovery of a bone wind instrument dating to the 5th millennium BCE provides the earliest evidence of music culture in Mesopotamia; depictions of music and musicians appear in the 4th millennium BCE; and later, in the city of Uruk, the pictograms for ‘harp’ and ‘musician’ are present among the earliest known examples of writing.
Music played a central role in Mesopotamian religion and some instruments themselves were regarded as minor deities and given proper names, such as Ninigizibara. Its use in secular occasions included festivals, warfare, and funerals—among all classes of society. Mesopotamians sang and played percussion, wind, and string instruments, and instructions for playing them have been discovered on clay tablets. Surviving artifacts include the oldest known string instruments, the Lyres of Ur, which includes the Bull Headed Lyre of Ur.
There are several surviving works of written music; the Hurrian songs, particularly the "Hymn to Nikkal", represent the oldest known substantially complete notated music. Modern scholars have attempted to recreate the melodies from these works, although there is no consensus on exactly how the music would have sounded. The Mesopotamians had an elaborate system of music theory and some level of music education. Music in Mesopotamia influenced, and was influenced by, music in neighboring cultures of antiquity based in Egypt, East and West Africa, and the Mediterranean coast.
Much of what researchers know about Mesopotamian music comes from clay tablets. Scribes would use a reed stylus to make wedge-shaped impressions in wet clay, and the tablets would be baked. Using this cuneiform script, they recorded texts that listed genres and song titles, included instructions on how to play instruments, and articulated their music theory. By piecing together thousands of surviving tablets, as well as examining surviving artworks and instruments, researchers have been able to offer a detailed picture of Mesopotamian music culture.
^British Museum e.
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