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The wife or daughter of the Bengali kumar or potter creates all products which do not involve the use of the wheel. They also paint all the products that are painted in the potter's family workshop, the ghata, sara or pot cover, dolls etc. In the weavers household the women do almost all else except work on the loom. However, women have never been part of the artisan tradition of the country. They have never been part of a guild. There were never any female swarnakar (goldsmith), sutradhar (carpenter) or takshak (carver). The economic structure of producer and consumer relationship that is current in the country has always been male-centristic. Yet the first painter that finds mention in Sanskrit literature is Chitralekha, who had run of the inner chambers of the Bana king of Pragjyotishpura. The painting skills of the companions of Radha find repeated mention in Vaishnava literature."The touch of the Bengali woman's dexterous hands is to be found in all of Bengal's folk arts. About the culinary arts, Dineshchandra Sen says that the artistic skills woman shows in making sandesh (a sweetmeat) is such that they achieve the beauty of flowers and fruits. There are hundreds of moulds made of clay by Bengali women, their decoration are a pleasure to behold. The dexterity they show with the coconut kernel cannot be appreciated by any one who has not seen the coconut sweets made by the women of East Bengal.
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