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VistaVision information


Logotype of the VistaVision format.
A VistaVision 35 mm horizontal camera film frame (the dotted area shows the area actually used).

VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954.

Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its flat widescreen system by orienting the 35 mm negative horizontally in the camera gate and shooting onto a larger area, which yielded a finer-grained projection print.

As finer-grained film stocks appeared on the market, VistaVision became obsolete. Paramount dropped the format after only seven years, although for another 40 years the format was used by some European and Japanese producers for feature films and by American films such as the first three Star Wars films for high-resolution special-effects sequences.

In many ways, VistaVision was a testing ground for cinematography ideas that evolved into 70 mm IMAX and OMNIMAX film formats in the 1970s. Both IMAX and OMNIMAX are oriented sideways, as is VistaVision.

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VistaVision

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VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in...

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List of VistaVision films

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The following is a list of films filmed using the VistaVision process. Titles in bold are black-and-white films. White Christmas (1954) 3 Ring Circus...

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Negative pulldown

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motion in cinematography, although horizontal pulldown is used in IMAX, VistaVision (still in use for some visual effects work), and in 35 mm consumer and...

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35 mm movie film

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processes using 35 mm, such as VistaVision, SuperScope, and Technirama, most of which ultimately became obsolete. VistaVision, however, would be revived decades...

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Technirama

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8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama. Technirama used...

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North by Northwest

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Hitchcock's insistence, the film was made in Paramount's VistaVision widescreen process. Only two VistaVision films were made at MGM, the other being High Society...

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Vista

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AltaVista, an Internet search engine Buena Vista (disambiguation) Natalia Boa Vista, a character in CSI: Miami Vistas (disambiguation) VistaVision, a 35mm...

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Carl Dudley

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Empire (documentary, short film, 1955). VistaVision Visits Gibraltar (documentary, short film, 1956). VistaVision Visits Panama (documentary, short film...

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Super Panavision 70

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mm B&W, composited to a VistaVision intermediate, and optically printed back to 70 mm IP. CGI sequences recorded to VistaVision. Brainstorm (1983) – virtual...

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CinemaScope

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release prints had less grain. The first Paramount film in VistaVision was White Christmas. VistaVision died out for feature production in the late 1950s with...

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Away All Boats

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closeup shots in Hollywood. Away All Boats is one of the few films made in VistaVision at a studio other than Paramount. The film made use of the Perspecta...

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Dykstraflex

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specifically for complex special effects shots in Star Wars. Using old VistaVision cameras (for their high image resolution), created by engineers at Paramount...

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Mitchell Camera

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and such movements for others' 65mm and VistaVision conversions before later making complete 65mm and VistaVision cameras in normal and high speed. Mitchell...

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To Catch a Thief

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Catch a Thief was the director's first film (of five) made using the VistaVision widescreen process, and the last of the three Hitchcock films with Grace...

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The Tin Star

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is a 1957 American Western film based on a short story, directed in VistaVision by Anthony Mann and starring Henry Fonda and Anthony Perkins, in one...

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The Searchers

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accompanied by his adopted nephew (Jeffrey Hunter). It was shot in VistaVision on Eastmancolor negative with processing and prints by Technicolor. The...

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The Court Jester

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distribution by Paramount Pictures. It was released in Technicolor and the VistaVision widescreen format. The film centers on Hubert Hawkins, a carnival entertainer...

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Artists and Models

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Artists and Models is a 1955 American musical romantic comedy film in VistaVision directed by Frank Tashlin, marking Martin and Lewis's 14th feature together...

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Tron

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Panavision (except for the computer-generated layers, which were shot in VistaVision and both anamorphic 35mm and Super 35 which were used for some scenes...

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Robert Blalack

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diffraction-limited VistaVision-to-35mm optical composite system. The Star Wars 365 VistaVision Visual Effects shots contained 1,250 original VistaVision color negative...

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