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Technirama information


The 35 mm 8 perforation Technirama horizontal camera film. Note the circle has been stretched vertically by a factor of 1.5.

Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into disuse in the mid-1960s. The process was invented by Technicolor and is an anamorphic process with a screen ratio the same as revised CinemaScope (2.35:1) (which became the standard), but it is actually 2.25:1 on the negative.[1]

  1. ^ https://www.widescreen.org/aspect_ratios.shtml

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Technirama

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Technirama is a screen process that has been used by some film production houses as an alternative to CinemaScope. It was first used in 1957 but fell into...

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Super Technirama 70

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Super Technirama 70 was the marketing name for a special type of deluxe film exhibition that was most popular in the 1960s. It was the 70 mm version of...

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Legend of the Lost

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Italian-American adventure film produced and directed by Henry Hathaway, shot in Technirama and Technicolor by Jack Cardiff, and starring John Wayne, Sophia Loren...

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Cinerama

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systems used to produce the 70mm prints (Ultra Panavision 70 and Super Technirama 70) did employ anamorphic lenses, 35mm (~1.38 in) anamorphic reduction...

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List of Technirama films

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Films made using the Technirama or Super Technirama process are listed below. Note that the only difference between the two is the choice of gauge (35 mm...

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The Big Country

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features Charles Bickford and Chuck Connors. Filmed in Technicolor and Technirama, the picture was based on the serialized magazine novel Ambush at Blanco...

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Stanley Kubrick

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time that Kubrick filmed using the anamorphic 35 mm horizontal Super Technirama process to achieve ultra-high definition, which allowed him to capture...

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List of motion picture film formats

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Ondreville-sur-Essonne, France, 2007, ISBN 2-9522521-3-0, --> page num 59 Hart, Technirama Specs. Sherlock, p. 58. Hart, Thrillarama Hart, Ultra Panavision Specs...

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Super Panavision 70

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scenes that were not shot on 65mm IMAX film. 70 mm film Cinerama Super Technirama 70 Todd-AO Ultra Panavision 70 Everett, Todd (May 21, 1992). "Panavision...

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Anamorphic format

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in combination with the principle of total internal reflection (e.g. Technirama), and cylindrical lenses (lenses curved, hence squeezing the image being...

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Lists of films

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8 mm or Super 8 mm film List of three-strip Technicolor films List of Technirama films List of Techniscope films List of VistaVision films Maximalist films...

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Walt Disney Animation Studios

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style devised by artist Eyvind Earle and presented in large-format Super Technirama 70 with six-track stereophonic sound. However, despite being the studio's...

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70 mm film

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CinemaScope which used a 2× compression, or 8-perf, horizontally filmed 35 mm Technirama which used a 1.5× compression). When projected on a 70 mm print, a 1.25×...

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Walt Disney

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in CinemaScope) in 1955, Sleeping Beauty (the first animated film in Technirama 70 mm film) in 1959, One Hundred and One Dalmatians (the first animated...

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Technicolor

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its three-color cameras for wide-screen photography, and introduced the Technirama process in 1957. Other formats the company ventured into included VistaVision...

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List of 70 mm films

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originated on horizontal 35 mm negative such as Vistavision and Technirama (see List of Technirama films), nor films made in the Showscan process. For films...

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Solomon and Sheba

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American epic historical romance film directed by King Vidor, shot in Technirama (color by Technicolor), and distributed by United Artists. The film dramatizes...

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Ultra Panavision 70

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and Like a Boss (2020) with the Panavision Millennium DXL camera. Super Technirama 70 "How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful...

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