The Work of Art in the Age of Mechanical Reproduction information
1935 essay by Walter Benjamin
"The Work of Art in the Age of Mechanical Reproduction" (1935), by Walter Benjamin, is an essay of cultural criticism which proposes and explains that mechanical reproduction devalues the aura (uniqueness) of a work of art,[1] and that in the age of mechanical reproduction and the absence of traditional and ritualistic value, the production of art would be inherently based upon the praxis of politics. Written during the Nazi régime (1933–1945) in Germany, in the essay Benjamin presents a theory of art that is "useful for the formulation of revolutionary demands in the politics of art" in a society of mass culture.[2]
The subject and themes of Benjamin's essay: the aura of a work of art; the artistic authenticity of the artefact; the cultural authority of the work of art; and the aestheticization of politics for the production of art, became resources for research in the fields of art history and architectural theory, cultural studies, and media theory.[3]
The original essay, "The Work of Art in the Age of its Technological Reproducibility", was published in three editions: (i) the German edition, "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit", in 1935; (ii) the French edition, "L'œuvre d'art à l'époque de sa reproduction mécanisée", in 1936; and (iii) the German revised edition in 1939, from which derive the contemporary English translations of the essay titled "The Work of Art in the Age of Mechanical Reproduction".[4]
^Elliott, Brian. Benjamin for Architects (2011) Routledge, London, p. 0000
^Scannell, Paddy. (2003) "Benjamin Contextualized: On 'The Work of Art in the Age of Mechanical Reproduction'" in Canonic Texts in Media Research: Are There Any? Should There Be? How About These?, Katz et al. (Eds.) Polity Press, Cambridge. ISBN 9780745629346. pp. 74–89.
^Elliott, Brian. Benjamin for Architects, Routledge, London, 2011.
^Notes on Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction", a commentary by Gareth Griffiths, Aalto University, 2011. [permanent dead link]
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