This article is about the play. For other uses, see The Balcony (disambiguation).
The Balcony (French: Le Balcon) is a play by the French dramatist Jean Genet. It is set in an unnamed city that is experiencing a revolutionary uprising in the streets; most of the action takes place in an upmarket brothel that functions as a microcosm of the regime of the establishment under threat outside.[1]
Since Peter Zadek directed the first English-language production at the Arts Theatre Club in London in 1957, the play has been revived frequently (in various versions) and has attracted many prominent directors, including Peter Brook, Erwin Piscator, Roger Blin, Giorgio Strehler, and JoAnne Akalaitis.[2] It has been adapted as a film and given operatic treatment. The play's dramatic structure integrates Genet's concern with meta-theatricality and role-playing, and consists of two central strands: a political conflict between revolution and counter-revolution and a philosophical one between reality and illusion.[3] Genet suggested that the play should be performed as a "glorification of the Image and the Reflection."[4]
Genet's biographer Edmund White wrote that with The Balcony, along with The Blacks (1959), Genet re-invented modern theatre.[5] The psychoanalyst Jacques Lacan described the play as the rebirth of the spirit of the classical Athenian comic playwright Aristophanes, while the philosopher Lucien Goldmann argued that despite its "entirely different world view" it constitutes "the first great Brechtian play in French literature."[6] Martin Esslin has called The Balcony "one of the masterpieces of our time."[7]
^Savona (1983, 79).
^Savona (1983, 71–72) and Lavery, Finburgh, and Shevtsova (2006, 12).
^Savona (1983, 76).
^Genet (1962, xiii).
^White (1993, 524).
^Lacan in L'Âne (July–August 1983); see White (1993, 485). Goldmann (1960, 130).
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