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The Scottish Gaelic Renaissance (Scottish Gaelic: Ath-Bheòthachadh na Gaidhlig) is a continuing movement concerning the revival of the Scottish Gaelic language and its literature. Although the Scottish Gaelic language had been facing gradual decline in the number of speakers since the late 19th century, the number of young and fluent Gaelic speakers is quickly rising.[1] A similar trend is also taking place in the language revival of Canadian Gaelic in Nova Scotia, New Brunswick, and Prince Edward Island.
The movement has its origins in the Scottish Renaissance and especially in the work of Sorley MacLean, George Campbell Hay, Derick Thomson and Iain Crichton Smith. A major role has also been played by the literary scholarship of John Lorne Campbell, Ronald Black, Donald E. Meek, and many others like them.
Sabhal Mòr Ostaig is sometimes seen as being a product of this renaissance.
Although many of the products of the Renaissance were in poetry, fiction, or in Scottish traditional music, many such as MacLean and Iain Crichton Smith, and more recently Aonghas MacNeacail, Angus Peter Campbell, and Christopher Whyte have blended Gaelic folklore, mythology, and literary traditions with more international literary styles such as magic realism.
^[1], Scotsman,2007.
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