Rogier van der Weyden, Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good, c 1448The patrikia Anicia Juliana receives the Vienna Dioscurides from a putto, flanked by Megalopsychia and Phronesis (folio 6v)Charles the Bald receives the Vivian Bible from the monks of Tours in 845 (fol. 423)
A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself.[1] The miniature is thus symbolic, and presumably represents an event in the future. Usually it is found at the start of the volume, as a frontispiece before the main text, but may also be placed at the end, as in the Vivian Bible,[2] or at the start of a particular text in a collection.[3]
In earlier manuscripts the recipient of the book may be a dead saint, the founder of a monastery or monastic order, for example, and the person handing over the book the abbot, or sometimes the scribe of the book. The genre is an extension of other forms of dedication portraits, for example wall-paintings or mosaics in churches showing the person who commissioned the church holding a model of it. Ultimately they stretch back to scenes where classical rulers receive tribute, or those where a procession of Early Christian martyrs carry their crowns to present Christ.[4] The miniatures are often found in luxury books presented to the emperor or another major figure, which usually followed significant donations of land to the monastery concerned.
In the early period the manuscripts concerned are normally religious books, especially liturgical ones. The texts are old, and the "offering" represented is the creation of an expensive illuminated manuscript. In the late Middle Ages works,[5] often secular ones, are generally presented by their author or translator, though lavish copies of older texts may also still receive presentation miniatures. In these first cases the "offering" is usually the text itself, and the patron had presumably often paid for his own luxury copy himself, though some translators and even authors were also scribes. Now the text dedication to the patron, at this period often long and flowery, came to form part of the work itself, and at least the text was repeated in further copies. Such author's dedications, now far shorter, have remained part of the printed book. Sometimes presentation miniatures were also repeated in subsequent copies.[1]
Michelle Brown distinguishes between presentation miniatures, where the actual book containing the miniature passed between the parties shown, and dedication miniatures in subsequent copies made for other people.[1]
^ abcBrown, 102
^Calkins, 116
^Kren & McKendrick, 197
^Alexander, 83
^Brown, 102, places this revival in the 15th century, but 14th century examples are numerous, as Cynthia Stone points out. Two are illustrated here.
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