British theatres licensed to show dramas in the 17th to 19th centuries
The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or dancing, to prevent the whole being too serious or dramatic.
The patenttheatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and...
loophole in the restrictions on non-patenttheatres in the genre of melodrama. Melodrama did not break the Patent Acts, as it was accompanied by music...
the theatre was operated primarily as a playhouse, with the Letters Patent granted by Charles II giving the Theatre Royal, Covent Garden and Theatre Royal...
as the Theatre Royal, the third patenttheatre in London. Several successful seasons followed, with Foote producing numerous plays at the theatre, but Foote...
non-patenttheatres in the genre of melodrama which did not contravene the Patent Acts, as it was accompanied by music. The passing of the Theatres Act...
the first patenttheatre at the Theatre Royal, Drury Lane; Sir William Davenant received the other, establishing the Duke of York's theatre company and...
Haymarket became a third patenttheatre in London in 1766. Further letters patent were eventually granted to one theatre in each of several other English...
legitimate theatre and legitimate drama date back to the English Licensing Act of 1737, which restricted "serious" theatre performances to the two patent theatres...
Street Theatre was a theatre in Dublin, Ireland, originally opened in 1758 by the actor Spranger Barry. From 1788 until 1818 it was a patenttheatre. The...
1689. It was the fourth home of the Duke's Company, one of the two patenttheatre companies in Restoration London, and after 1682 continued to be used...
stock of pre-civil war plays was divided between the two newly created patenttheatre companies, Hamlet was the only Shakespearean favourite that Sir William...
18th century, two rival London theatres, Lincoln's Inn Fields Theatre and the Theatre Royal, Drury Lane (the patenttheatres) presented productions that...
in London and provincial theatres was restricted by a licensing system to the Patenttheatre companies, and all other theatres could perform only musical...
Letters Patent were eventually granted in 1778, and the theatre became a patenttheatre and took up the name "Theatre Royal". At this time the theatre also...
theatres, breaking the monopoly of the patenttheatres and encouraging the development of popular theatrical entertainments, such as saloon theatres attached...
before any new plays existed. Their next priority was to build splendid patenttheatres in Drury Lane and Dorset Gardens, respectively. Striving to outdo each...
the new Theatre at Covent Garden, London, after the previous one had been destroyed by fire. Covent Garden was one of two "patent" theatres in London...
three patenttheatres at Covent Garden, Drury Lane and the Haymarket. Other prominent theatres were the Theatre Royal, Bath and the Crow Street Theatre in...
continuously used theatre in London. For much of its first two centuries, it was, along with the Royal Opera House, a patenttheatre granted rights in...
Theatres Regulation Act finally brought the patent companies' monopoly to an end. From that time until the end of the Victorian era, London theatre was...
Saxe-Coburg, and named the theatre the Royal Coburg Theatre. The theatre was a "minor" theatre (as opposed to one of the two patenttheatres) and was thus technically...