Pange lingua may refer to either of two Mediaeval Latin hymns:
Pange lingua gloriosi proelium certaminis by Venantius Fortunatus, a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week.[1] Fortunatus wrote it for a procession that brought a part of the true Cross to Queen Radegunda that year. The last stanza was not written by Fortunatus but was added later. When the hymn is used in the Liturgy of the Hours during Holy Week, it may be broken into smaller units: Lustra sex qui iam peregit; En acetum, fel, arundo; Crux fidelis inter omnes. This hymn is also sometimes found as Pange lingua gloriosi lauream certaminis
Pange lingua gloriosi corporis mysterium by Thomas Aquinas, inspired by the above and written c. 1260, celebrating the Eucharist and used during Corpus Christi. This hymn has often been set to music
There is a charming legend that is hinted at in both hymns: the wood of the Cross upon which Jesus was crucified was taken from that tree which was the source of the fruit of the fall in the Garden of Eden, and when Adam died, according to the legend, Seth obtained from the Cherubim guarding the Garden a branch of the tree from which Eve ate the forbidden fruit, and then planted it at Golgotha, being so named because Adam was buried there. As time went on, the Ark of the Covenant, the pole upon which the bronze serpent was lifted, and other items were made from this tree.
^"Pange Lingua (Fortunatus)". www.preces-latinae.org.
The Missa Pangelingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515,...
"Pangelingua gloriosi corporis mysterium" (Ecclesiastical Latin: [ˈpandʒe ˈliŋɡwa ɡloriˈosi ˈkorporis miˈsteri.um]) is a Medieval Latin hymn attributed...
"Pangelingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited...
PangeLingua sung in Latin The Latin text of PangeLingua sung to its traditional melody, mode iii Gregorian chant Problems playing this file? See media...
as an organist. Around 1835 Bruckner wrote his first composition, a Pangelingua – one of the compositions which he revised at the end of his life. When...
admired works, including the masses Missa de Beata Virgine and Missa Pangelingua; the motets Benedicta es, Inviolata, Pater noster–Ave Maria and Praeter...
prodiens" (the last two strophes begin with "O salutaris hostia") and "Pangelingua gloriosi" (the last two strophes begin with "Tantum ergo"). The text...
request of Pope Urban IV for the new Mass of this feast, along with Pangelingua, Sacris solemniis, and Verbum supernum prodiens, which are used in the...
ordinary time. The hymn Aquinas composed for Vespers of Corpus Christi, PangeLingua or another eucharistic hymn, is also used on Maundy Thursday during the...
second movement. Anton Bruckner: Ave Regina caelorum, WAB 8 (1885–88). Pangelingua, WAB 33 (second setting, 1868). Symphony no. 3, passages in the third...
a central compositional principle." PangeLingua sung This is the plainchant version (mode iii) of PangeLingua sung to its traditional Latin text. Problems...
Spiritus, as well as the Eucharistic hymns like the Adoro te devote and Pangelingua are used for fixing within prayers the truths of the Roman Catholic faith...
Pangelingua, in c. 1835, the last, Vexilla regis in 1892. Before 1841 only a single work, a motet, has indubitably been composed by Bruckner. Pange lingua...
wrote for the feast of Corpus Christi are still sung today, such as the Pangelingua (whose final two verses are the famous Tantum ergo), and Panis angelicus...
falsa Bruckner online – Werkverzeichnis Os justi lydisch, WAB 30 (1879) Pangelingua (recte: Tantum ergo) D-Dur, WAB 32 (1845) Vier Tantum ergo WAB 41/1-4...
1969 missal. Trinitarian indwelling Veni Creator Spiritus Lauda Sion PangeLingua Sacris solemniis Verbum supernum prodiens Christopher Howse, 'Not a hymn...
devote (the strophe beginning with "Pie pelicane, Jesu Domine"), and Pangelingua gloriosi corporis mysterium (the last two strophes beginning with "Tantum...
See media help. "Tantum ergo" is the incipit of the last two verses of Pangelingua, a Medieval Latin hymn generally attributed to St Thomas Aquinas c. 1264...
form the Benediction hymn O Salutaris Hostia. The last two verses of PangeLingua are sung as the hymn Tantum Ergo, also used at Benediction. Beginning...
Pangelingua gloriosi proelium certaminis ("Sing, O tongue, of the glorious struggle"), a hymn that later inspired St Thomas Aquinas's PangeLingua Gloriosi...
salutaris hostia O sanctissima O sodales O Antiphons Pangelingua gloriosi corporis mysterium Pangelingua gloriosi proelium certaminis Panis angelicus Parce...
Averroes Maimonides St. Albertus Magnus Reginald of Piperno Related topics Pangelingua Aristotelianism Dominican Order School of Salamanca Catholic theology...
Averroes Maimonides St. Albertus Magnus Reginald of Piperno Related topics Pangelingua Aristotelianism Dominican Order School of Salamanca Catholic theology...
Averroes Maimonides St. Albertus Magnus Reginald of Piperno Related topics Pangelingua Aristotelianism Dominican Order School of Salamanca Catholic theology...
Averroes Maimonides St. Albertus Magnus Reginald of Piperno Related topics Pangelingua Aristotelianism Dominican Order School of Salamanca Catholic theology...
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