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Olodum is a bloco-afro from Salvador's carnival, in Bahia, Brazil. It was founded by the percussionist Neguinho do Samba.[1]
^"Morre Neguinho do Samba, fundador do Olodum". EFE. G1. 2009-11-02. Archived from the original on 2009-11-05. Retrieved 2009-11-28.
Olodum is a bloco-afro from Salvador's carnival, in Bahia, Brazil. It was founded by the percussionist Neguinho do Samba. Olodum is widely credited with...
the first time to describe the music of Olodum, and, by extension, of the other afro blocos as well. Olodum became progressively more well known, and...
song is accompanied by a performance from Brazilian drumming collective Olodum in a live recording. The single, released in September 1990, was commercially...
sound of the samba-Afro style, exemplified by the Bahian samba reggae group Olodum. Celebration Suite performed by Airto, written by Hugo Fattoruso. Portela...
Souza, was a Brazilian percussionist and musician. Samba was the founder of Olodum, an internationally known cultural group based in Salvador, Brazil. Samba...
vocalist of Olodum, an internationally-known cultural and musical group based in Salvador, Brazil. Meneghel was responsible for writing some of Olodum's most...
UK. The lead single, "The Obvious Child", featuring the Grupo Cultural Olodum, became Simon's last Top 20 hit in the UK and appeared near the bottom of...
a drum sample from a track called "Estrada da paixão" by Brazilian act Olodum. This preceded the sixth Pet Shop Boys album Bilingual, which was released...
facing similar sociopolitical situations. Musically, it was the bloco afro Olodum and its lead percussionist, Neguinho do Samba, that began to combine the...
HIStory: Past, Present and Future, Book I "They Don't Care About Us" (Brazil/Olodum Version) 2000 Mau Maus "Blak Iz Blak" Bamboozled 2009 Michael Jackson "This...
Salvador da Bahia in Brazil. [citation needed] Bands such as Ilê Aiyê and Olodum formed as a political expression of black awareness, resisting economic...
is best known in Brazil for her song "Faraó(Divindade do Egito)" 1988 of Olodum and "Me Abraça e Me Beija", a major hit in 1990. She also scored another...
continuously accepted as a way of life. Combined with the influence of Olodum in Salvador, musical protest and representation as a product of slavery...