This article is about Ngoma music of Great Lakes. For other uses, see Ngoma (disambiguation).
Music of Tanzania
Genres
Bongo flava
Singeli
Taarab
Dansi
Kwaya
Ngoma
Media and performance
Music awards
Tanzania Music Awards (TMA)
Music festivals
Sauti za Busara
Asili Festival
Nationalistic and patriotic songs
National anthem
Mungu ibariki Afrika
Regional music
DR Congo
Kenya
Uganda
Rwanda
Burundi
Malawi
Mozambique
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Ngoma(also ng'oma or ing'oma) is a Bantu term with many connotations that encompasses music, dance, and instruments.[1][2] In Tanzania ngoma also refers to events, both significant life-changing events such as the first menstruation or the birth or passing of a loved one, as well as momentary events such as celebrations, rituals, or competitions.[3] Ngoma was the primary form of culture throughout the Great Lakes and Southern Africa.[1] Today it is most notable in Tanzania, where it is deemed an official music genre by the National Arts Council (BASATA - Baraza la Sanaa la Taifa).[4][5] In Tanzania, it is experienced throughout the country and performed, taught, and studied in many schools and universities.[6] The most notable school for ngoma is the Bagamoyo Arts and Cultural Institute, which produces the most prominent chairmen (directors/conductors) and dancers.[7]
The traditional forms of ngoma dancing consist of prominent movements of the hips.[8] It uses a large variety of instruments, including strings and horns, but most prominently the use of drums.[8] In other cases no instruments are used, such as by the Ambrokoi of the Maasai or the Ligihu of the Ngoni.[7] These are usually dances of jumping and stomping, with significant movement and often a more competitive aspect than those with instruments.[6]
^ abStone, Ruth M., ed. (2008). The Garland Handbook of African Music. New York: Routledge. pp. 14, 46–50, 136–137. ISBN 9781135900014. Archived from the original on 22 June 2022. Retrieved 8 June 2022.
^Kaduma, Godwin Z. (1978). A theatrical description of five Tanzanian dances (PhD thesis). Dar es Salaam: University of Dar es Salaam.
^Pels, P. (2000). "Kizungu Rhythms: Luguru Chtistianity as Ngoma". In Gunderson, Frank D. (ed.). Mashindano!: Competitive Music Performance in East Africa. Dar es Salaam, Tanzania: Mkuki na Nyota Publishers. p. 102. ISBN 978-9976-973-82-2. Archived from the original on 22 June 2022. Retrieved 8 June 2022.
^Askew, Kelly (2002). Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago: University of Chicago Press. pp. 27–67, 276. ISBN 978-0-226-02981-8. Archived from the original on 22 June 2022. Retrieved 8 June 2022.
^Ivaska, Andrew (2011). Cultured States: Youth, Gender, and Modern Style in 1960s Dar Es Salaam. Durham, NC: Duke University Press. p. 78. ISBN 978-0-8223-4770-5. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
^ abEdmondson, Laura (2007). McNaughton, Patrick (ed.). Performance and Politics in Tanzania: The Nation on Stage. Bloomington, IN: Indiana University Press. ISBN 978-0-253-11705-2. Archived from the original on 22 June 2022. Retrieved 8 June 2022.
^ abNjogu, Kimani; Maupeu, Herv (2007). "Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo". Songs and Politics in Eastern Africa. Dar es Salaam, Tanzania: Mkuki na Nyota Publishers Ltd. pp. 241–246. ISBN 978-9987-08-108-0. Archived from the original on 22 June 2022. Retrieved 8 June 2022.
^ abGreen, D. (2010). "Traditional Dance in Africa". In Welsh-Asante, K. (ed.). African Dance: an artistic, historical and philosophical inquiry. Trenton, NJ: Africa World Press. pp. 13–28. ISBN 978-1-60413-477-3. Archived from the original on 8 June 2022. Retrieved 8 June 2022.
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