Ashkenazic Jewish ceremonies, especially weddings, in Eastern Europe
Typical instruments
Standard orchestra instruments, accordion, cimbalom
Jewish and Israeli music
Religious
Contemporary
Piyyut
Zemirot
Nigun
Pizmonim
Baqashot
Secular
Klezmer
Sephardic
Mizrahi
Mainstream and jazz
Classical
Jewish art music
Israel
Hatikvah
Jerusalem of Gold
We Are Both from the Same Village
Dance
Israeli folk dancing
Ballet
Horah
Yemenite dancing
Music for holidays
Shabbat
Hanukkah
Blessings
Oh Chanukah
Dreidel song
Al Hanisim
Mi Y'malel
Ner Li
Passover (Haggadah)
Ma Nishtana
Dayenu
Adir Hu
Chad Gadya
Echad Mi Yodea
L'Shana Haba'ah
Lag BaOmer
Bar Yochai
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Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe.[1] The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions.[2][3] The musical genre incorporated elements of many other musical genres including Ottoman (especially Greek and Romanian) music, Baroque music, German and Slavic folk dances, and religious Jewish music.[4][5] As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music.[6][7] Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sid Beckerman and Ray Musiker.[8]
After the destruction of Jewish life in Eastern Europe during the Holocaust, and a general fall in the popularity of klezmer music in the United States, the music began to be popularized again in the late 1970s in the so-called Klezmer Revival.[1] During the 1980s and onwards, musicians experimented with traditional and experimental forms of the genre, releasing fusion albums combining the genre with jazz, punk, and other styles.[9]
^ abStrom, Yale (Winter 2024). "The Mesmerizing Sounds of Klezmer". Humanities: The Magazine of the National Endowment for the Humanities. Retrieved 27 December 2023.
^Beregovsky, Moishe (1982). "4. Jewish Instrumental Folk Music (1937)". In Slobin, Mark (ed.). Old Jewish folk music : the collections and writings of Moshe Beregovski. Philadelphia: University of Pennsylvania Press. pp. 530–548. ISBN 081227833X.
^Rubin, Joel E. (2020). New York klezmer in the early twentieth century: the music of Naftule Brandwein and Dave Tarras. Rochester, NY: Boydell & Brewer. p. 29. ISBN 9781580465984.
^Slobin, Mark (2000). Fiddler on the move : exploring the klezmer world. Oxford: Oxford University Press. p. 7. ISBN 9780195161809.
^Feldman, Zev (2016). Klezmer: music, history and memory. New York, NY: Oxford University Press. pp. 208–210. ISBN 9780190244514.
^Rubin, Joel E. (2020). New York klezmer in the early twentieth century: the music of Naftule Brandwein and Dave Tarras. Rochester, NY: Boydell & Brewer. pp. 71–74. ISBN 9781580465984.
^Feldman, Zev (2016). Klezmer: music, history and memory. New York, NY: Oxford University Press. pp. 216–8. ISBN 9780190244514.
^Feldman, Zev. "Music: Traditional and Instrumental Music". YIVO Encyclopedia. YIVO.
^Kirshenblatt-Gimblett, Barbara (1998). "Sounds of Sensibility". Judaism. 47: 49–55.
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