Priyanto Sunarto, Seniman, 1976, reconstructed 2015, Line drawing on wall, Collection of National Gallery Singapore
The Indonesian New Art Movement, also known as Gerakan Seni Rupa Baru(GSRB) was an art movement of young artists from Bandung and Yogyakarta against the institutional concept of Indonesian fine art (Indonesian: Seni Rupa) being limited to paintings and sculptures. The movement emerged in 1974, first organised in a protest against the judging of the Second Jakarta Painting Biennale which awarded prizes to decorative style of paintings and sculptures.[1] The protesters published the Black December Statement (Desember Hitam) criticising the lack of social and political consciousness in Indonesian decorative art practices.
The "new art" championed installations, ready-mades, photographs, found-objects and photo-realist paintings,[1] which translate to the experimentation of different mediums and mixed media in Indonesian contemporary art. In 1987, a manifesto was written by key figures of the New Art Movement titled "Fine Art of Emancipation, Emancipation of Fine Art."
The New Art Movement ended in 1989 and is considered the beginning of Indonesian contemporary art.
^ abTatehata, Akira (1995). Asian Modernism: Diverse Development in Indonesia, the Philippines, and Thailand. Tokyo: The Japan Foundation Asia Centre. pp. 201–202.
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