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Various hanging Gongs (gong ageng, gong suwukan, kempul) of Gamelan in Indonesia
Music of Indonesia
Genres
Classical
Kecapi suling
Tembang sunda
Kecak
Pop Indo
Hip hop
Dangdut
Campursari
Kroncong
Langgam jawa
Celempungan
Gambang kromong
Tanjidor
Gambus
Jaipongan
Pop Sunda
Qasidah modern
Rock
Tapanuli ogong
Specific forms
Angklung
Beleganjur
Calung
Degung
Gamelan
Gambang
Gender Wayang
Gong gede
Gong kebyar
Jegog
Joged bumbung
Melayu
Karinding
Kendang
Kolintang
Kulintang
Kuriding
Kurung-kurung
Salendro
Selunding
Semar pegulingan
Surakarta
Gendang beleq
Gordang sambilan
Saluang
Suling
Talempong
Tarawangsa
Tifa totobuang
Regional music
Bali
Borneo
Java
Moluccan Islands
Papua
Sulawesi
Sumatra
Sundanese
Melayu
Minangkabau
Bataks
Dayaks
Ambonese
Buginese
Acehnese
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Gamelan semar pegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than the more popular and progressive Gamelan Gong Kebyar. Semar pegulingan is derived from the ancient flute ensemble gamelan gambuh which utilizes a 7 tone scale. Semar pegulingan also uses the 7 tone scale which enables several pathet (similar to modes or scales) to be played. Semar is the name of the Hindu God of love and pegulingan means roughly 'laying down'. It was originally played near the sleeping chambers of the palace to lull the king and his concubines to sleep. The ensemble includes suling, various small percussion instruments similar to sleigh bells and finger cymbals, and trompong - a row of small kettle gongs that play the melody. A similar type of ensemble, Gamelan Pelegongan, substitutes a pair of gendérs for the trompong as the melody carrier and plays the music for a set of dances known as legong.
In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts. Accompanying court rituals and pendet dances at temple ceremonies, Semar pegulingan also served to lull the royal family to sleep when it played in the late evenings in the inner sanctum of the palace. There are very few of these gamelan left in Bali. This orchestra is used primarily for instrumental pieces, as the dance repertoire is long since forgotten. The orchestra includes saron jongkok, a gentorag bell-tree, gumanak tube chimes and a kempyung–all features of court gamelan.
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Gamelansemarpegulingan is an old variety of the Balinese gamelan. Dating back from around the 17th century, the style is sweeter and more reserved than...
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spectacle based on the Ramayana," accompanied by cak chorus rather than gamelan, as would have been usual. The kecak dance is typically performed by about...
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", and refers to the explosive...
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