Expression of identity through clothing, usually associated with a geographic area
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From top, left to right: Filipinos (Igorot), Kenyans, Ukrainians and Peruvians dressed in traditional garments
Part of a series on
Western dress codes and corresponding attires
Formal (full dress)
White tie
Morning dress
Full dress uniform
Frock coat
Evening gown
Ball gown
Semi-formal (half dress)
Black tie
Black lounge suit
Mess dress uniform
Evening gown
Cocktail dress
Informal (undress, "dress clothes")
Suit
Service dress uniform
Cocktail dress
Pantsuit
Casual (anything not above)
Business casual
Casual Friday
Combat uniform
Smart casual
Workwear
Streetwear
Sportswear known as Sportswear (fashion) and Athleisure
Undress
Supplementary alternatives
Ceremonial dress
law courts
royal courts
diplomatic
academic, etc.
Religious clothing
cassock, habit, etc.
Folk costume
Distinctions
Orders
medals, etc.
Legend:
= Day (before 6 p.m.) = Evening (after 6 p.m.) = Bow tie colour = Ladies = Gentlemen
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A folk costume (also regional costume, national costume, traditional clothing, traditional garment or traditional regalia) expresses a national identity through clothing or costume, which is usually associated with a specific region or period of time in history. It can also indicate social, marital, or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as ethnic costume (also ethnic dress, ethnic wear, ethnic clothing, traditional ethnic wear or traditional ethnic garment). Such costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear. The word "costume" in this context is sometimes considered pejorative due to the multiple senses of the word, and in such cases "clothing", "garments" or "regalia" can be substituted without offense.[1][2][3][4]
Following the rise of romantic nationalism[5] in parts of Europe, pre-industrial peasantry came to serve as models for all that appeared genuine and desirable. These garments may be made from traditional pre-industrial textiles, in regional styles.
In areas where Western dress codes have become typical, traditional garments are often worn during special events or celebrations, particularly those connected to cultural tradition, heritage, or pride. International events may cater to non-Western attendees with a compound dress code such as "business suit or national dress".
There are also contemporary societies in which traditional garments are required by sumptuary laws. In Bhutan, for example, the driglam namzha mandates what citizens should wear in public spaces.[6] Bhutanese citizens must wear the traditional clothing of the Ngalop people, including a gho and kera for men and a kira and wonju for women,[7] in or near "monastic fortresses (dzong), monasteries (gompa) and temples (lhakhang), and in government buildings, including when on official business, in schools and institutions, and at official occasions and assemblies".[8] Karin Altmann states that the intent behind this law "was to prevent specific features of Bhutanese culture from disappearing," and "to emphasise national identity",[8] but it has contributed to much conflict due to the sheer ethnic and cultural diversity of Bhutan.[9]
^Reese, Debbie (15 May 2007). "The word "costume" and American Indians". American Indians in Children's Literature. Retrieved 9 November 2023.
^Arce, Isis (4 February 2019). "Native Regalia is NOT a Costume!". Voices of Native Youth. Retrieved 9 November 2023.
^Higgins, Julissa (7 May 2018). "Opinion: Why It's Time to Stop Using the Word "Garb"". The Fashion Studies Journal. Retrieved 9 November 2023.
^Martinez, Gimeno; Leerssen, Joep (2022). "Dress, design : Introductory survey essay". Encyclopedia of Romantic Nationalism in Europe. Amsterdam: Study Platform on Interlocking Nationalisms. Retrieved November 7, 2023.
^Shah, Shalini (October 31, 2016). "Bhutan's Queen Mother Sangay Choden Wangchuck on weaves in everyday life". Vogue India. Retrieved November 3, 2023.
^Lhamo, Passang (April 2, 2019). "Driglam Namzha: Why The Bhutanese Do What They Do". Daily Bhutan. Retrieved November 3, 2023.
^ abAltmann, Karin (2016). Fabric of Life - Textile Arts in Bhutan: Culture, Tradition and Transformation. Berlin, München, Boston: De Gruyter. pp. 30–32. doi:10.1515/9783110428612. ISBN 9783110428612.
^"Lhotshampas". Minority Rights. 6 May 2020. Retrieved 10 November 2023.
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