Enrico Corte in 2015. Photo by Francesca Manca di Villahermosa.
Born
(1963-06-21) 21 June 1963 (age 61)
Cagliari, Italy
Nationality
Italian
Education
University of Cagliari, Master's degree in History of Contemporary Art
Known for
Painting, sculpture, photography, drawing, video art, music composition
Website
enricocorte.net
Enrico Corte (Italian:[enˈriːkoˈkorte]; born 21 June 1963) is an Italian contemporary artist. He works in the fields of painting, sculpture, drawing, video art and photography. His exhibitions often include multimedia installations that mix diverse genres and form relationships both with the surrounding area and the viewing public by means of ever-changing combinations. He has lived for extended periods of time in Rome, London, Berlin, Paris and New York, always immersing himself in the contemporary culture and assimilating the tensions of the metropolitan counter-cultures.[1] His works can be found in both private and public collections in Europe and the USA.
Some recurring themes constitute the artist’s poetic core. One element is the so-called "impossibility of the Tragic" within the system of contemporary art.[2] Another theme is the co-existence of creation and destruction in the process of realizing a work, along with the analysis of the “dark side” of creativity[3][4] which often coincides with the self-destruction of the artist’s personality.[5][6][7] A frequent theme found in many of Corte’s works is the relationship between official artistic culture and the “underground” ferment that develops in urban alternative countercultures or subcultures.[8] The manifold theme of sex in general and, in particular, the relationship between pleasure and pain, are explored by Corte without restraint or prejudice;[9] he himself ties the wide variety of artistic techniques and genres of his work to a genderqueer standpoint experienced personally by the artist.[10]
^Marziani, Gianluca (2008). Enrico Corte - Spectrospective. Bologna: Damiani. ISBN 9788862080064. pp. 21-27
^Marziani, p. 44.
^Sperelli, Patrizia (1995). "Quelli che vanno, quelli che restano". Flash Art n. 191. Milan: Giancarlo Politi Editore. CL 11800550 ISSN 0015-3524. pp. 76-78.
^Beatrice, Luca; Perrella, Cristiana (1998). Nuova Arte Italiana. Rome: Castelvecchi. ISBN 9788882100551. pp. 71-74.
^Marziani, p. 46.
^De Dominicis, Daniela (1994). "Profili e paesaggi". Flash Art n.186. Milan: Giancarlo Politi Editore. CL 1180050X ISSN 0015-3524. pp. 75, 76.
^Politi, Giancarlo (1989). "La parola agli artisti". Flash Art News, Flash Art n.150. Milan: Giancarlo Politi Editore. pp. 16,17.
^Marziani, pp. 25-27, 43, 47.
^Marziani, p. 34.
^«Avrai sentito usare spesso termini come genderqueer, genderfluid, genderfree (…) noi “ci siamo dentro” da prima che venissero coniati.» Perra, Daniele (March 3, 2018). "La terza via dell'arte. Intervista a Enrico Corte e Andrea Nurcis". Artribune.
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Baekeland Tim Berners-Lee Rachel Carson Albert Einstein Philo Farnsworth Enrico Fermi Alexander Fleming Sigmund Freud Robert H. Goddard Kurt Gödel Edwin...
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