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In this name that follows Eastern Slavic naming customs, the patronymic is Stepanovich and the family name is Bortniansky.
Dmitry Stepanovich Bortniansky[1][2][n 1] (28 October 1751 – 10 October [O.S. 28 September] 1825) was a Russian Imperial composer[3] of Ukrainian Cossack origin.[4] He was also a harpsichordist and conductor who served at the court of Catherine the Great. Bortniansky was critical to the musical history of both Russia and Ukraine, with both nations claiming him as their own.[5]
Bortniansky, who has been compared to Palestrina,[6] is known today for his liturgical works and prolific contributions to the genre of choral concertos.[7] He was one of the "Golden Three" of his era, alongside Artemy Vedel and Maxim Berezovsky.[8][9] Bortniansky was so popular in the Russian Empire that his figure was represented in 1862 in the bronze monument of the Millennium of Russia in the Novgorod Kremlin. He composed in many different musical styles, including choral compositions in French, Italian, Latin, German, and Church Slavonic.
^Ritzarev, Marina: Eighteenth-Century Russian Music. London and New York: Routledge, 2016. P. 105.
^The Cambridge History of Music
^*Dmitry Stepanovich Bortniansky (The Columbia Encyclopedia)
The Cambridge History of Music
Dmitry Stepanovich Bortniansky (Great Russian Encyclopedia) Archived 24 October 2021 at the Wayback Machine
The Concise Oxford Dictionary of Music
Rzhevsky, Nicholas: The Cambridge Companion to Modern Russian Culture. Cambridge 1998. P. 239.
Erren, Lorenz: Musik am russischen Hof: Vor, während und nach Peter dem Großen (1650-1750). Oldenbourg: De Gruyter, 2017. S. 236.
^*Katchanovski, Ivan; Zenon E., Kohut; Bohdan Y., Nebesio; Myroslav, Yurkevich (2013). Historical Dictionary of Ukraine. Scarecrow Press. p. 386. ISBN 9780810878471.
Subtelny, Orest (2009). Ukraine: A History, 4th Edition(PDF). University of Toronto Press. p. 197. ISBN 9781442697287.
George Grove (1980), Sadie, Stanley (ed.), The New Grove Dictionary of Music and Musicians, vol. 3, Macmillan Publishers, p. 70, ISBN 9780333231111
Rouček, Joseph Slabey, ed. (1949), Slavonic Encyclopaedia, vol. 1, Philosophical Library, p. 110, ISBN 9780804605373
Thompson, Oscar (1985), Bohle, Bruce (ed.), The International Cyclopedia of Music and Musicians, Dodd, Mead, p. 260, ISBN 9780396084129
Strohm, Reinhard (2001). The Eighteenth-century Diaspora of Italian Music and Musicians. Brepols. p. 227. ISBN 9782503510200.
Rzhevsky, Nicholas (1998). The Cambridge Companion to Modern Russian Culture. Cambridge University Press. p. 51. ISBN 9780521477994. Dmitry Bortniansky Ukrainian.
Unger, Melvin P. (2010). Historical Dictionary of Choral Music. Scarecrow Press. p. 43. ISBN 9780810873926.
Kuzma, Marika (1996). "Bortniansky à la Bortniansky: An Examination of the Sources of Dmitry Bortniansky's Choral Concertos". The Journal of Musicology. 14 (2): 183–212. doi:10.2307/763922. ISSN 0277-9269. JSTOR 763922.
^Kuzma, Marika (1996). "Bortniansky à la Bortniansky: An Examination of the Sources of Dmitry Bortniansky's Choral Concertos". The Journal of Musicology. 14 (2): 183–212. doi:10.2307/763922. ISSN 0277-9269. JSTOR 763922.
^Rzhevsky, Nicholas: The Cambridge Companion to Modern Russian Culture. Cambridge 1998. P. 239. books.google.com
^Morozan, Vladimir (2013). "Russian Choral Repertoire". In Di Grazia, Donna M (ed.). Nineteenth-Century Choral Music. Routledge. p. 437. ISBN 9781136294099.
^The Golden Three BBC 21 August 2011
^Ukraine's and Russia's tangled history leads to musical conundrum hourclassical.org 2022
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