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Czech Informel information


Czech Informel is described as a current of expressive structural abstraction that emerged from specific local conditions at the turn of the 1950s and 1960s.[1] It radically defined itself against all contemporary production and compromised creation and aestheticization of official art and became a turning point in the history of Czech art.[2] Foreign critics appreciated the uniqueness of the works[3] and wrote about a strong revolt of about thirty desperate avant-garde artists, which had no predecessor in Czechoslovakia.[4] The term "informel" was used from 1945 by the French critic Waldemar-George and taken up and claimed by the painter Michel Tapié in the very title of the exhibition Signifiants de l´informel staged in Paul Facchetti´s studio in 1951.[5] With international informel, which in Enrico Crispolti's conception includes a very heterogeneous group of artistic forms ranging from tachism to lyrical abstraction,[6] is the Czech informel related only by some creative techniques.

  1. ^ Nešlehová M, 1997, pp. 21-22
  2. ^ Jan Kříž, in: Informel. Proceedings of the Symposium, 1991, p. 64
  3. ^ Pierre Restany, Notes de voyage, Cimaise VIII, 1961, art. 51, pp. 75-80
  4. ^ Dora Ashton, 1962, cit. Informel. Proceedings of the Symposium, 1991, p. 65
  5. ^ Bertrand Schmitt, in: František Dryje, Bertrand Schmitt (eds.), 2012, p. 102
  6. ^ Crispolti Enrico, L'Informale Storia e poetica, Carucci, Assisi-Roma, 1971

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Czech Informel

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