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Cultural Bolshevism information


Cultural Bolshevism (German: Kulturbolschewismus), sometimes referred to specifically as art Bolshevism, music Bolshevism or sexual Bolshevism,[1] was a term widely used by state-sponsored critics in Nazi Germany to denounce secularist, modernist and progressive cultural movements. The term is closely related to the Jewish Bolshevism conspiracy theory.

This first became an issue during the 1920s in Weimar Germany, when German artists such as Max Ernst and Max Beckmann were denounced by Adolf Hitler, the Nazi Party, and other German nationalists as "cultural Bolsheviks". Nazi claims about attacks on conceptions of family, identity, music, art and intellectual life were generally referred to as Cultural Bolshevism, the Bolsheviks being the Marxist revolutionary movement in Russia.[2][3][4]

Cultural Marxism is a contemporary variant of the term which is used to refer to the far-right antisemitic Cultural Marxism conspiracy theory.[5] This variant of the term was used by far-right terrorist Anders Breivik in the introductory chapter of his manifesto.[6][7]

  1. ^ Spotts, Frederic. 2002. Hitler and the Power of Aesthetics. Woodstock, New York: Overlook Press. ISBN 1-58567-345-5. pp. 18, 24.
  2. ^ Jay, Martin. "Dialectic of Counter-Enlightenment: The Frankfurt School as Scapegoat of the Lunatic Fringe". skidmore.edu. Salmagundi Magazine. Archived from the original on 24 November 2011.
  3. ^ Berkowitz, Bill (15 August 2003). "'Cultural Marxism' Catching On". Intelligence Report. Southern Poverty Law Center. Archived from the original on 30 September 2018. Retrieved 2 October 2018.
  4. ^ Jamin, Jérôme (2014). "Cultural Marxism and the Radical Right". In Shekhovtsov, A.; Jackson, P. (eds.). The Post-War Anglo-American Far Right: A Special Relationship of Hate. Basingstoke: Palgrave Macmillan. pp. 84–103. doi:10.1057/9781137396211.0009. ISBN 978-1-137-39619-8.
  5. ^ Sources:
    • Jay, Martin. "Dialectic of Counter-Enlightenment: The Frankfurt School as Scapegoat of the Lunatic Fringe". skidmore.edu. Salmagundi Magazine. Archived from the original on 24 November 2011.
    • Jamin, Jérôme (2014). "Cultural Marxism and the Radical Right". In Shekhovtsov, A.; Jackson, P. (eds.). The Post-War Anglo-American Far Right: A Special Relationship of Hate. Basingstoke: Palgrave Macmillan. pp. 84–103. doi:10.1057/9781137396211.0009. ISBN 978-1-137-39619-8.
    • Richardson, John E. (10 April 2015). "'Cultural-Marxism' and the British National Party: a transnational discourse". In Copsey, Nigel; Richardson, John E. (eds.). Cultures of Post-War British Fascism. Routledge. ISBN 9781317539360.
    • Berkowitz, Bill (15 August 2003). "'Cultural Marxism' Catching On". Intelligence Report. Southern Poverty Law Center. Archived from the original on 30 September 2018. Retrieved 2 October 2018.
  6. ^ "Scholars Respond to Breivik Manifesto" (Press release). National Association of Scholars. 28 July 2011. Archived from the original on 1 September 2011. Retrieved 28 July 2011.
  7. ^ Anne-Catherine Simon; Christoph Saiger; Helmar Dumbs (29 July 2011). "Die Welt, wie Anders B. Breivik sie sieht". Die Presse (in German).

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