Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others".[1] As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.[1]
The Cinema of Egypt and the Cinema of Tunisia are among the oldest in the world. Cinema of Egypt in particular is the most established and flourishing industry in Africa.[2][3] Pioneers Auguste and Louis Lumière screened their films in Alexandria, Cairo, Tunis, Susa, Libya and Hammam-Lif, Tunisia in 1896.[4][5] Albert Samama Chikly is often cited as the first producer of indigenous African cinema, screening his own short documentaries in the casino of Tunis as early as December 1905.[6] Alongside his daughter Haydée Tamzali, Chikly would go on to produce important early milestones such as 1924's The Girl from Carthage. In 1927, Egypt produced Laila the first feature-length film by Aziza Amir. In 1935, the Studio Misr in Cairo began producing mostly formulaic comedies and musicals, but also films like Kamal Selim's The Will (1939). Egyptian cinema flourished in the 1940s, 1950s, and 1960s, considered its Golden Age.[7] Youssef Chahine's seminal Cairo Station (1958) laid the foundation for Arab film.[8]
The Nigerian film industry is the largest in Africa in terms of volume, number of annual films, revenue and popularity.[9][10][11] It is also the second largest film producer in the world.[12] In 2016, Nigeria's film industry contributed 2.3% to its gross domestic product (GDP).[12]
^ abHayward, Susan. "Third World Cinemas: African Continent" in Cinema Studies: The Key Concepts (Third Edition). Routledge, 2006. p. 426-442
^Gaffney, Jane (1987). "The Egyptian Cinema: Industry and Art in a Changing Society". Arab Studies Quarterly. 9 (1): 53–75. ISSN 0271-3519. JSTOR 41857918.
^Leaman, Oliver (2003-12-16). Companion Encyclopedia of Middle Eastern and North African Film. Routledge. ISBN 9781134662524.
^"Alexandria, Why? (The Beginnings of the Cinema Industry in Alexandria)". Bibliotheca Alexandrina's AlexCinema.
^"Three Programmes". Cinema Ritrovato. Retrieved 14 October 2020.
^"The Golden Age of Egyptian Cinema – the 1940s to 1960s". Archived from the original on 2017-11-25. Retrieved 2017-10-06.
^"African Cinema: Invisible Classics". British Film Institute. Archived from the original on 2012-08-03.
^"Top 10 film industries in Africa". afriff.com. AFRIFF African International Film Festival. 4 August 2023. Retrieved 2023-10-25.
^"Nigeria surpasses Hollywood as world's second largest film producer – UN". un.org. United Nations. 2009-05-05. Archived from the original on 2013-03-09. Retrieved 2023-10-25.
^"Nigeria's Nollywood eclipsing Hollywood in Africa". The Independent. May 15, 2010. Archived from the original on May 18, 2010. Retrieved 2010-11-24.
^ ab"Spotlight: The Nigerian Film Industry" (PDF). July 2017.
CinemaofAfrica covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved...
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