Cello Counterpoint is a composition for cello and pre-recorded tape by the American composer Steve Reich. The work was jointly commissioned by the Koussevitzky Foundation in the Library of Congress, the Royal Conservatory of The Hague, and Leiden University for the cellist Maya Beiser. It was given its world premiere by Beiser on October 18, 2003 at the Krannert Center for the Performing Arts.[1][2] The piece was a finalist for the 2004 Pulitzer Prize for Music.[3]
^Reich, Steve (2003). "Cello Counterpoint". Boosey & Hawkes. Retrieved February 16, 2016.
^Lunden, Jeff (September 25, 2005). "Steve Reich: A Wild Compositional Ride". NPR. Retrieved February 16, 2016.
^"Paul Moravec Wins Pulitzer Prize For Tempest Fantasy". NewMusicBox. April 5, 2004. Retrieved February 16, 2016.
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CelloCounterpoint is a composition for cello and pre-recorded tape by the American composer Steve Reich. The work was jointly commissioned by the Koussevitzky...
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rhythm, and the sense of space in his melodic lines, whether solo or in counterpoint, and most notably in his frequent dance collaborations. The American...
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returns, now accompanied by a sustained bass line and emotionally charged counterpoints. In a programme note for a 1912 performance of his setting of Arthur...
fundamental in showing mastery of harmony and tonality as it presented counterpoint. In the Middle Ages, the term was widely used to denote any works in...
art of counterpoint; the themes of some of his works are modelled on Baroque sources such as Bach's The Art of Fugue in the fugal finale of Cello Sonata...
the Warsaw Conservatory where he simultaneously studied harmony and counterpoint with August Freyer and later with Stanisław Moniuszko. This time marks...
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