North America (esp. Haiti, French West Indies, Dominica, Trinidad and Tobago, Canada and Panama)
France
Africa (esp. Cape Verde and Angola)
South America (esp. Brazil
Portugal
Cadence rampa (Haitian Creole: kadans ranpa, [kadãsɣãpa]), or simply kadans,[1] is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso.[2][3]
Cadence and compas are two names for the same Haitian modern méringue.
^Manuel, Peter with Kenneth Bilby, Michael Largey (2006). Caribbean Currents: Caribbean Music from Rumba to Reggae. Temple University Press. p. 161. ISBN 9781592134649. Retrieved 8 March 2014.{{cite book}}: CS1 maint: multiple names: authors list (link)
^Rabess, Gregory (2014). "Cadence-Lypso". In John Shepherd, David Horn (ed.). Bloomsbury Encyclopedia of Popular Music of the World. Vol. 9. Bloomsbury Publishing. pp. 96–9. ISBN 9781441132253. Genres: Caribbean and Latin America.
^Guilbault, Jocelyne (1993). Zouk: World Music in the West Indies. University of Chicago Press. p. 50. ISBN 9780226310428.
1960s. Cadencerampa was one of the sources of cadence-lypso. Cadence and compas are two names for the same Haitian modern méringue. Cadencerampa literally...
List of Caribbean music genres: cadence-lypso and cadence rampa V–IV–I turnaround ♭VII–V7 cadence Benward & Saker 2003, p. 90. Don Michael Randel (1999)...
the méringue-compas and cadencerampa. Webert Sicot, a prominent Haitian saxophone player and the originator of cadencerampa, recorded three LPs with...
compas direct, a style of Haitian music born in the 1950s that he named cadencerampa after he left Nemours' band to differentiate himself in 1962 in the...
differentiate himself from Nemours, Sicot called his modern méringue, Cadencerampa. In Creole, it is spelled as konpa dirèk or simply konpa. It is commonly...
promotion of Cadence-lypso was the Dominican group Exile One (based on the island of Guadeloupe) that featured mostly the cadencerampa of Haiti and calypso...
popularity, especially after the abolition of slavery in 1834. Cadence-lypso is a fusion of cadencerampa from Haiti and calypso from Trinidad & Tobago that has...
Zouk Stylistic origins Cadencerampa compas cadence-lypso bélé biguine gwo ka Cultural origins Early 1980s, French Antilles (esp. Guadeloupe and Martinique)...
promotion of Cadence-lypso was the Dominican group Exile One (based on the island of Guadeloupe) that featured mostly the cadencerampa of Haiti and calypso...
promotion of Cadence-lypso was the Dominican group Exile One (based on the island of Guadeloupe) that featured mostly the cadencerampa of Haiti and calypso...
Grammacks that featured the Haitian Cadencerampa or compas with the Trinidadian calypso, hence the name cadence-lypso; however, most of the bands repertoire...
according to the rhythm of the Tanbal player. Cadence-lypso came from calypso from Trinidad and cadencerampa from Haiti, with influences from jing ping...
immigration experience. The Caribbean people brought music, such as bachata, cadencerampa, calypso, chutney, compas (kompa), cumbia, dancehall, filmi, Latin trap...
differentiate himself from Nemours, Sicot called his modern méringue, cadencerampa. In Creole, it is spelled as konpa dirèk or simply konpa. It is commonly...
and two lead singers, tambour bélé, ti bwa, biguine, cadence-lypso: calypso and mostly Cadencerampa or compas with full use of the MIDI technology. Kassav...
leader, and one of the creators of compas direct. He renamed the music cadencerampa after he left Nemours' band in 1962.[citation needed] Ti Ro Ro – drummer;...
University of Chicago press. p. 50. Retrieved April 10, 2012. cadence lypso cadencerampa and calypso. Caribbean and Latin America (24 April 2014). Introduction...
and two lead singers, tambour bélé, ti bwa, biguine, cadence-lypso: calypso and mostly Cadencerampa or compas with full use of the MIDI technology. Kassav...
other regions: lambada, merengue, and salsa from Latin America; wining, cadencerampa, and reggae from the Caribbean; and ballet and dances from various pop...
Jewish author Herman Heijermans. His collaboration with the Bucharest-based Rampa (at the time a daily newspaper) also began in 1915, with his debut as theatrical...
received by spectators of the day. In December 1911, the theatrical magazine Rampa published a note under the heading "The Cinema in the Theatre" (signed by...
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