Alessandro Poglietti (early 17th century – July 1683) was a Baroque organist and composer of unknown origin. In the second half of the 17th century Poglietti settled in Vienna, where he attained an extremely high reputation, becoming one of Leopold I's favorite composers. Poglietti held the post of court organist for 22 years from 1661 until his death during the Turkish siege that led into the Battle of Vienna.
Poglietti is primarily important for his keyboard music, particularly Rossignolo (1677), a collection of diverse pieces for harpsichord that includes a large number of imitations of natural sounds, and a collection of 12 ricercares, which was widely copied during his lifetime.
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AlessandroPoglietti (early 17th century – July 1683) was a Baroque organist and composer of unknown origin. In the second half of the 17th century Poglietti...
and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and AlessandroPoglietti, French composers, and the composers of the Nuremberg tradition....
date of their birth: Mlle Bocquet (early 17th century–after 1660) AlessandroPoglietti (early 17th century–1683) François de La Roche (?–1677) François...
Plummer (c. 1410 – c. 1484) Ludvík Podéšť (Binovský) (1921–1968) AlessandroPoglietti (early 17th century–1683) David Pohle (1624–1695) František Xaver...
commemorating the events of a Turkish siege that cost Kerll's friend, AlessandroPoglietti, his life, contains a continuo part that includes an "avoid consonances"...
the baptism of Lully's son Georg Muffat – Violin Sonata in D major AlessandroPoglietti – Rossignolo Lucas Ruiz de Ribayaz – Luz y Norte Carlo Grossi – La...
Sebastiani, composer (born 1622) Jacob Stainer, luthier (born c.1617) AlessandroPoglietti, organist and composer Palisca, Claude V. (1991) [First published...
in F major, ZWV 184 Collectaneorum Musicorum, Book II (compilation of Poglietti and Frescobaldi scores compiled during Zelenka's time in Vienna) Toussaint...
Bernardo Storace in the Spangioletta variation set, and a verset by AlessandroPoglietti (quinti toni no. 3). The influence of contemporary southern organists...