Aeolic verse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos, Sappho and Alcaeus, who composed in their native Aeolic dialect. These verse forms were taken up and developed by later Greek and Roman poets and some modern European poets.
Aeolicverse is a classification of Ancient Greek lyric poetry referring to the distinct verse forms characteristic of the two great poets of Archaic Lesbos...
Archilochian Alcmanian These metres were imitated in Latin in Horace's Epodes. Aeolicverse begins with the short lyric poems of the Lesbian poets Sappho and Alcaeus...
A development of Aeolicverse, but less regular and more varied, is found in the choral odes of Pindar and Bacchylides. The Aeolic meter is built upon...
Sapphic stanza, named after Sappho, is an Aeolicverse form of four lines. Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations...
four classical meters known as the Aeolics: Glyconic (the most basic form of Aeolic line), hendecasyllabic verse, Sapphic stanza, and Alcaic stanza (the...
occur in spoken verse, as distinguished from true lyric or sung verse. The choriamb is sometimes regarded as the "nucleus" of Aeolicverse, because the pattern...
The glyconic line is the most basic and most commonly used form of Aeolicverse, and it is often combined with others. The basic shape (often abbreviated...
that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of...
The Alcaic stanza is a Greek lyrical meter, an Aeolicverse form traditionally believed to have been invented by Alcaeus, a lyric poet from Mytilene on...
11-syllable Aeolic meters, used first in Ancient Greece and later, with little modification, by Roman poets. Aeolic meters are characterized by an Aeolic base...
work. Each couplet consists of a dactylic hexameter verse followed by a dactylic pentameter verse. The following is a graphic representation of its scansion:...
Traditional Welsh Accentual verse Accentual-syllabic verse Syllabic verse Adonic Aeolic Glyconic: most basic form of aeolicverse. Alcmanian Archilochian...
An adonic (Latin: adoneus) is a unit of Aeolicverse, a five-syllable metrical foot consisting of a dactyl followed by a trochee. The last line of a Sapphic...
half of the verse), the word accents coincided with the strong points of the line, that is the 2nd, 4th, 6th etc. elements of the verse. Thus even in...
employing Greek lyrical forms, though he calls himself the first to bring Aeolicverse to Rome. He identified with, among others, Sappho and Alcaeus of Mytilene...
dactylic hexameter line paired with a dactylic pentameter line. This form of verse was used for love poetry by Propertius, Tibullus, and Ovid, for Ovid's letters...
caesura is observed before the ithyphallic (– u – u – –) ending of the verse. (Because of this, the name erasmonideus has sometimes been used to refer...
desire to balance metrical units with their mirror images. The Ionic and Aeolic meters are closely related, as evidenced by the polyschematist unit x x...
x | – u – x || – u – x | – u – | Anceps elements are also found in the Aeolic metres, such as the Sapphic metre, in which the first three lines are as...
glyconic line. Also called the choriambo-cretic, the pattern is common in Aeolicverse. Money portal Roman currency Ancient Greek coinage Hale, William Gardner;...
Choliambic verse (Ancient Greek: χωλίαμβος), also known as limping iambs or scazons or halting iambic, is a form of meter in poetry. It is found in both...
Versus Galliambicus (Latin), or the Galliambic Verse (English), is a verse built from two anacreontic cola, the second one catalectic (i.e., lacking its...
Anacreontics are verses in a metre used by the Greek poet Anacreon in his poems dealing with love and wine. His later Greek imitators (whose surviving...
longo elements are quite common in Homer, occurring every four or five verses. An example is line 2 of the Iliad: οὐλομένην, ἣ μυρί’ Ἀχαιοῖς ἄλγε’ ἔθηκε...
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