Abbasid architecture developed in the Abbasid Caliphate between 750 and 1227, primarily in its heartland of Mesopotamia (modern Iraq).
The great changes of the Abbasid era can be characterized as at the same time political, geo-political and cultural. The Abbasid period starts with the destruction of the Umayyad ruling family and its replacement by the Abbasids, and the position of power is shifted to the Mesopotamian area. As a result there was a corresponding displacement of the influence of classical and Byzantine artistic and cultural standards in favor of local Mesopotamian models as well as Persian.[1][2][3] The Abbasids evolved distinctive styles of their own, particularly in decoration.[4][3] This occurred mainly during the period corresponding with their power and prosperity between 750 and 932.[5]
Abbasid architecture was an important formative stage in wider Islamic architecture. The early caliphate's great power and unity allowed architectural features and innovations, such as minarets and carved stucco motifs, to spread quickly across the vast territories under its control.[6][7] One of the most important architectural activities during this time was the construction of new capital cities or administrative centers (a tradition also continued from earlier Mesopotamian and Persian rulers), such as the Round City of Baghdad, founded in 762, and Samarra, founded in 836.[8] The Abbasids favoured mud brick and baked brick for construction, allowing for enormous architectural complexes to be built at relatively low cost, as most clearly exemplified by Samarra, which was made up of vast palaces and monumental mosques spread across some 40 km (25 mi).[6][3]
While the Abbasids lost control of large parts of their empire after 870, their architecture continued to be copied by successor states in Iraq, Iran, Egypt and North Africa.[4] Later Abbasid caliphs were confined to Baghdad and were less involved in public architectural patronage, which was instead dominated by the Seljuks and other rulers who held de facto political power.[9] As a result, during the 11th to 13th centuries it was difficult to differentiate architectural forms associated with the Abbasids and those associated with other dynasties,[10] and Abbasid architecture of the 12th and 13th centuries was essentially Seljuk architecture built with local Iraqi craftsmanship.[3] Much of Abbasid art and architecture has been lost over time due to the fragile nature of the materials used and due to destruction wrought by conflicts. Very little of Abbasid-era Baghdad, the urban heart of the caliphate, has survived.[11][9]
^Hoag, John D. (2004). Islamic architecture. Milan: Electaarchitecture. pp. 7–9. ISBN 978-1-904313-29-8.
^Bloom & Blair 2009, Architecture (IV. c. 750–c. 900)
^ abcdPetersen 2002, p. 1.
^ abEttinghausen 1987, pp. 75–125.
^Northedge 2012.
^ abBlair & Bloom 2011, p. 94-95.
^Bloom & Blair 2009, Architecture; IV. c. 750–c. 900.
^Blair & Bloom 2011, pp. 95–96, 102.
^ abTabbaa 2017, p. 307.
^Ettinghausen, Grabar & Jenkins-Madina 2001, p. 215.
^Blair & Bloom 2011, p. 95.
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