Zadar Polyptych information

Zadar Polyptych is an oil-on-panel by Italian artist Vittore Carpaccio, painted around 1480–1490. It is now in the Museum of Sacred Art of the Zadar Cathedral...

deer (early 5th century). The museum of art of the church houses the Zadar Polyptych, an early work by Venetian painter Vittore Carpaccio. The bell tower...

Anastasia of Sirmium Manuscript depicting Anastasia St Anastasia from the Zadar Polyptych Nuremberg book illustration made via woodcut St Chrysogonus depicted...

six-month prison term for an affair with a married woman, left in 1459 for Zadar in Dalmatia (now part of Croatia, but then a Venetian territory). He was...

the intersection of the nave and the transepts. The main altar holds a polyptych by Titian, portraying a version of the Assumption of the Virgin. This...

Genoa and Venice, on 14 March 1381 Chioggia concluded an alliance with Zadar and Trogir against Venice, and finally Chioggia became better protected...

Dujam Vušković when that artist was in Šibenik (1448–52) working on a polyptych for the cathedral commissioned by the nobleman Juraj Radoslavčić. He moved...

Renaissance relief for the antependium of the altar, made of gilded silver. The polyptych of the Venetian painter Antonio Vivarini dates from the same period. The...

his signature style. His works in Croatia include polyptychs (composite altarpieces), paintings in Zadar and Trogir, and the large Crucifixion in the Dominican...

a 1535 altar polyptych by Girolamo da Santacroce in the Franciscan monastery on the island of Košljun, while a Paolo Veneziano polyptych from Benedictine...

government after the Unification of Italy, Cavalcaselle and Crowe saw the polyptych in 1861 in the manse. It was later exhibited in the municipal residence...

pulpit, with one part projecting into the street. A 15th-century wooden polyptych from an Emilian artist adorns the altar. The west portal is decorated...

altarpiece by Giampietrino. The item of greatest significance, however, is a polyptych by Bernardino Luini that is widely considered by art historians to be...