Global InformationWeegee information
Weegee | |
|---|---|
 Weegee in 1945 | |
| Born | Ascher (Usher) Fellig June 12, 1899 Złoczów, Galicia, Austria-Hungary (now Zolochiv, Ukraine) |
| Died | December 26, 1968 (aged 69) New York City, U.S. |
| Other names | Arthur Fellig |
| Occupation | Photographer |
| Known for | Street photography of crime scenes or emergencies |
Arthur (Usher) Fellig (June 12, 1899 – December 26, 1968), known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.[1]
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity.[2] Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Weegee was born Ascher (later modified to Usher) Fellig in Złoczów (now Zolochiv, Ukraine), near Lemberg in Austrian Galicia. His given name was changed to Arthur after he immigrated with his family to New York in 1909. The father of the family, Bernard Fellig, emigrated in 1908, followed in 1909 by his wife and their four children, including "Usher Felik", as his name was spelled on the steerage passenger list of the steamship, Kaiserin Auguste Victoria. In Brooklyn, where they settled, he took numerous odd jobs, including working as a street photographer of children on his pony[3] and as an assistant to a commercial photographer. In 1924 he was hired as a darkroom technician by Acme Newspictures (later United Press International Photos). He left Acme in 1935 to become a freelance photographer. Describing his beginnings, Weegee stated:
In my particular case I didn't wait 'til somebody gave me a job or something, I went and created a job for myself—freelance photographer. And what I did, anybody else can do. What I did simply was this: I went down to Manhattan Police Headquarters and for two years I worked without a police card or any kind of credentials. When a story came over a police teletype, I would go to it. The idea was I sold the pictures to the newspapers. And naturally, I picked a story that meant something.[4]
He worked at night and competed with the police to be first at the scene of a crime, selling his photographs to tabloids and photographic agencies.[5] His photographs, centered around Manhattan police headquarters, were soon published by the Daily News and other tabloids, as well as more upscale publication such as Life magazine.[6]
In 1957, after developing diabetes, he moved in with Wilma Wilcox, a Quaker social worker whom he had known since the 1940s, and who cared for him and then cared for his work.[7] He traveled extensively in Europe until 1964, working for the London Daily Mirror and on a variety of photography, film, lecture, and book projects.[8] On December 26, 1968, Weegee died in New York at the age of 69.[9]
- ^ Hudson, Berkley (2009). Sterling, Christopher H. (ed.). Encyclopedia of Journalism. Thousand Oaks, CA: SAGE. pp. 1060–67. ISBN 978-0-7619-2957-4.
- ^ Cotter, Holland (June 9, 2006). "'Unknown Weegee,' on Photographer Who Made the Night Noir". The New York Times.
- ^ Weegee's autobiography
- ^ Fellig, Arthur. "Weegee Interview" Archived June 17, 2013, at the Wayback Machine BOMB Magazine Summer, 1987.
- ^ Weegee MoMA Collection, New York.
- ^ Cohen, Daniel (2000). Yellow Journalism. Twenty-First Century Books. p. 77. ISBN 0761315020.
- ^ Roberta Smith (January 19, 2012), He Made Blood and Guts Familiar and Fabulous The New York Times.
- ^ Bonanos, Christopher, Flash: The Making of Weegee the Famous, Henry Holt, 2016, chapters 23–25.
- ^ Bonanos, p. 315.