Vsevolod Illarionovich Pudovkin (Russian: Всеволод Илларионович Пудовкин, IPA:[ˈfsʲevələtɪl(ː)ərʲɪˈonəvʲɪtɕpʊˈdofkʲɪn]; 28 February 1893 – 30 June 1953)[1][2] was a Soviet film director, screenwriter and actor who developed influential theories of montage.[3] Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948.
^Schnitzer, Luda (1973). Cinema in Revolution. Da Capo Press. ISBN 0306802856.
^Gillespie, David C. (2000). Early Soviet Cinema. Wallflower. ISBN 1903364043.
^The Encyclopaedia Britannica guide to Russia : the essential guide to the nation, its people, and culture. London: Robinson. 2009. pp. 208–213. ISBN 9781593398507.
Soviet filmmakers, such as Lev Kuleshov, Dziga Vertov, Esfir Shub and VsevolodPudovkin put forth explanations of what constitutes the montage effect, Eisenstein's...
Tarasevich (1919–1998), Soviet photographer Vsevolod Blinkov (1918–1987), Soviet football player VsevolodPudovkin (1893–1953), Russian and Soviet film director...
film October. Also noteworthy was VsevolodPudovkin's adaptation of Maxim Gorky's Mother to the screen in 1926. Pudovkin developed themes of revolutionary...
create a romantic or suspenseful aura or to stress a moment in time. VsevolodPudovkin, for instance, used slow motion in a suicide scene in his 1933 film...
Moscow) was a Soviet cinematographer, renowned for his work with VsevolodPudovkin (with whom he was awarded the Stalin Prize in 1951). In 1969 he was...
Soviet filmmakers, alongside Sergei Eisenstein, Dziga Vertov, and VsevolodPudovkin, as well as being a pioneer of Soviet montage theory. Oleksandr Dovzhenko...
Soviet film director and screenwriter. He worked as co-director with VsevolodPudovkin and was awarded Stalin Prize twice in 1941. Mikhail Doller was born...
film directed by VsevolodPudovkin and Nikolai Shpikovsky. Chess Fever is a comedy about the Moscow 1925 chess tournament, made by Pudovkin during the pause...
Institute of Cinematography. In mid-1936 he wrote to Eisenstein and VsevolodPudovkin to offer himself as their apprentice. Nothing came of this, however...
similar to the works of Soviet film directors Sergei Eisenstein and VsevolodPudovkin from the transition period from silent to sound film. However, due...
of all time. VsevolodPudovkin developed a new theory of montage based on cognitive linkage rather than dialectical collision. Pudovkin's Mother (1926)...
Cinematography, founded by Vladimir Gardin in 1919. Sergei Eisenstein, VsevolodPudovkin, and Aleksey Batalov were among its most distinguished professors...
concepts. The revolutionary Russian filmmakers Sergei Eisenstein, VsevolodPudovkin, and Alexander Dovzhenko also experimented with the possibilities...
films of Soviet filmmakers such as Sergei Eisenstein and VsevolodPudovkin. Kubrick read Pudovkin's seminal theoretical work, Film Technique, which argues...
Nakhimov Admiral Nakhimov (film), a 1947 Soviet film directed by VsevolodPudovkin Ships named after the admiral: SS Admiral Nakhimov Admiral Nakhimov...
Soviet filmmakers: Dziga Vertov, Lev Kuleshov, Sergei Eisenstein and VsevolodPudovkin. He would also socialise with fellow English filmmakers Ivor Montagu...
order of release date: The End of Saint Petersburg. 1927. Directed by VsevolodPudovkin and Mikhail Doller, USSR October: Ten Days That Shook the World. 1927...
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