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Trash Aesthetics is a British independent record label founded in 2004 by Rob Fawkes and Claire Hewitson and active until 2014. Based in South London, it specialised in releasing limited-edition runs of singles by both local bands and international acts whose work is difficult to come by in the UK. Having started helping Rob and Claire with the label in 2007, Adam Killip took over running Trash Aesthetics in 2010.
TA701 (The label's first release) was a 480 copy 7" clear-vinyl pressing by Bloc Party called "She's Hearing Voices" which was released to critical acclaim,[1] with BBC Radio 1 DJ Steve Lamacq labelling the track "genius".[citation needed] This was followed the same year with another limited single called 22 Grand Job, this time by The Rakes which was met with similar enthusiasm in the music press.[citation needed]
2005 saw the release of more limited 7"s by Omaha, Nebraska tap dancing indie troop Tilly and the Wall (signed to Conor Oberst's Team Love label in the US) and Brixton based country / power-pop 5 piece The Tailors. That year also saw the release of a 10" EP by Los Angeles based three-piece Bedtime for Toys who went on to work with artists such as Har Mar Superstar and Le Tigre.
The label released The Tailors successful debut album Wakey Wakey in 2007 as well as an extremely limited 7" single by Projections (a side project of the band Blood Red Shoes) and Luke Abbott.
2009 saw the release of two more 7" singles by Mi Mye and Richmond Fontaine.
^"Bloc Party : She's Hearing Voices". Nme.com. 12 September 2005.
TrashAesthetics is a British independent record label founded in 2004 by Rob Fawkes and Claire Hewitson and active until 2014. Based in South London,...
Giorgia; Signorili, Valentina. Trash TV e Quality TV: Questioni di Kitsch. Cartmell, Deborah, ed. (1997). TrashAesthetics: Popular Culture and Its Audience...
Krueger, Popular Culture and the Nightmare on Elm Street Films" in TrashAesthetics: Popular Culture and its Audience, ed. Deborah Cartmell, I. Q. Hunter...
debut single "She's Hearing Voices" on the then fledgling record label TrashAesthetics. Also in 2003 Bloc Party personally mailed Steve Aoki a 7-inch of the...
Popular Press. p. 95. ISBN 9780879727895. Cartmell, Deborah (1997). TrashAesthetics: Popular Culture and Its Audience. Pluto Press. p. 132. ISBN 978-0-7453-1202-6...
Girl and Postmodernist Intertextuality". In Cartmell, Deborah (ed.). TrashAesthetics. Sydney: Pluto Press. p. 31. ISBN 0-7453-1202-0. Bates, John K. "Wired...
literally from the trash. One example of trash art is trashion, fashion made from trash. Marina DeBris takes trash from the beach and creates dresses, vests...
Music Transatlantic Records Transcend Music Transgressive Records TrashAesthetics Triumph Records (UK) Trepan Records Trend Records Tru Thoughts Trojan...
"Regendered Reading: Tank Girl and Postmodernist Intertextuality", TrashAesthetics: Popular Culture and Its Audience, pp. 31–47, ISBN 978-0745312026 Dueben...
his 'Projections' single was released as a limited edition 7" on TrashAesthetics. In 2008 the Tuesday EP was released on James Holden's Border Community...
Toys released a self-titled EP on the London-based tastemaker label, TrashAesthetics, which also launched the careers of The Rakes and Bloc Party. Their...
Girl and Postmodernist Intertextuality", in Cartmell, Deborah (ed.), TrashAesthetics, Sydney: Pluto Press, p. 31, ISBN 0-7453-1202-0 "Living like Romans...
music heard at raves, as well as being a play on the term "new wave". The aesthetics of the new rave scene are similar to those of the original rave scene...
trashed. As a philosophy, kintsugi is similar to the Japanese philosophy of wabi-sabi, an embracing of the flawed or imperfect. Japanese aesthetics values...
own fanbase), the heavy metal "family tree" soon found itself blending aesthetics and styles. For example, bands with all the musical traits of thrash metal...
product's value above zero. Examples include municipal solid waste (household trash/refuse), hazardous waste, wastewater (such as sewage, which contains bodily...