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Transnational Chinese Cinemas information


Transnational Chinese Cinemas: Identity, Nationhood, Gender is a non-fiction collection of essays edited by Sheldon Hsiao-peng Lu, published in 1997 by University of Hawaiʻi Press.

It discusses film from multiple territories, including Mainland China, Hong Kong, and Taiwan.[1]

  1. ^ Clark, p. 132.

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Transnational Chinese Cinemas

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Transnational Chinese Cinemas: Identity, Nationhood, Gender is a non-fiction collection of essays edited by Sheldon Hsiao-peng Lu, published in 1997 by...

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Transnational cinema

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and Third cinema, amongst many other topics. Transnational cinema debates consider the development and subsequent effect of films, cinemas and directors...

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Eat Drink Man Woman

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Sauce Jar: Diaspora and Displacement in the Films of Ang Lee". Transnational Chinese Cinemas. University of Hawaii Press. pp. 187–220. doi:10.1515/9780824865290-010...

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Cinema of Hong Kong

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The cinema of Hong Kong (Chinese: 香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and...

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Ang Lee

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Displacement in the Films of Ang Lee," in Hsiao-peng Lu, ed., Transnational Chinese Cinemas: Identity, Nationhood, Gender (Honolulu: University of Hawaiʻi...

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Film censorship in China

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), Transnational Chinese Cinemas: Identity, Nationhood, Gender, Honolulu: University of Hawai'i Press, ISBN 9780824818456 Zhang, Rui (2008). Cinema of...

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Transnationalism

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form of transnationalism. Some have argued that diasporas, such as the overseas Chinese, are a historical precursor to modern transnationalism. However...

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Cinema of China

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Yingjin Zhang, Chinese National Cinema (National Cinemas Series.), Routledge 2004 - general introduction. Ying Zhu, "Chinese Cinema during the Era of...

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Long hair

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Culture, and Tradition in the Caribbean Lu, Hsiao-Peng (1997), Transnational Chinese Cinemas, Honolulu: University of Hawaii Press, p. 229, ISBN 0-8248-1845-8...

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Cinema of Taiwan

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Taiwan cinema. Taiwan cinema is internationally known for its representative directors, including King Hu (Chinese: 胡金銓), Hou Hsiao-hsien (Chinese: 侯孝賢)...

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The Wedding Banquet

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Films of Ang Lee". In Lu, Hsiao-peng; Lu, Sheldon H. (eds.). Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii...

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World cinema

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commercial American cinema. The Third Cinema of Latin America and various national cinemas are commonly identified as part of world cinema. The term has been...

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New Women

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New Woman Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai". In Lu, Sheldon Hsiao-peng (ed.). Transnational Chinese Cinemas. Honolulu: University...

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Pacific Science

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the Hanzi Review of Japanese Culture and Society Sovereign Sugar Transnational Chinese Cinemas Yearbook of the Association of Pacific Coast Geographers...

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Hindi cinema

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Transnationalism. 6 (1): 58–81 [60 & 75]. doi:10.1353/mer.2005.0032. S2CID 201783566. Gooptu, Sharmistha (July 2002). "Reviewed work(s): The Cinemas of...

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Taiwan New Cinema

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promotion of Mandarin. In 1949, the Chinese Civil War between the Nationalist Party (Kuomintang) and the Chinese Communist Party (CCP) ended with the...

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Death Over Shanghai

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& sein Orchester Lu p. 41–42 Lu, Sheldon Hsiao-Peng (1997). Transnational Chinese Cinemas: Identity, Nationhood, Gender. University of Hawaii Press....

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Chinese New Year film

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Christina (2007). "Kung Fu Hustle: Transnational production and the global Chinese-language film". Journal of Chinese Cinemas. 1 (3): 189–208. doi:10.1386/jcc...

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Chinese animation

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Chinese animation refers to animation made in China. In Chinese, donghua (simplified Chinese: 动画; traditional Chinese: 動畫; pinyin: dònghuà) describes...

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Cinema of India

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Transnationalism. 6 (1): 58–81 [60 & 75]. doi:10.1353/mer.2005.0032. S2CID 201783566. Gooptu, Sharmistha (July 2002). "Reviewed work(s): The Cinemas of...

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Laotian Chinese

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The Laotian Chinese (Lao: ຄົນລາວຈີນ) are Laotian citizens of Han Chinese ancestry. They constitute one of the many Overseas Chinese residing in Southeast...

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fourth-largest number of films of any national cinema, after India, Japan, and China. While the national cinemas of the United Kingdom, Canada, Australia,...

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Jiangshi fiction

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literature of the Qing dynasty and the jiangshi film (traditional Chinese: 殭屍片; simplified Chinese: 僵尸片; pinyin: Jiāngshīpiàn) is a staple of the modern Hong...

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Secret Love for the Peach Blossom Spring

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"Secret Love In Peach Blossom Land". Hsiao-peng Lu (1997). Transnational Chinese cinemas: identity, nationhood, gender. University of Hawaii Press. p...

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Hong Kong action cinema

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Action Cinemas". In Morris, Meaghan; Li, Siu Leung; Chan, Stephen Ching-kiu (eds.). Hong Kong Connections: Transnational Imagination in Action Cinema. Hong...

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