Conserving an unstable painting on a deteriorated panel by transferring it to canvas or a new panel
Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771.[1]
The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely superseded by improved methods of wood conservation.[2]
The practice evolved in Naples and Cremona in 1711–1725 and reached France by the middle of the 18th century.[3] It was especially widely practiced in the second half of the 19th century. Similar techniques are used to transfer frescos. Oil paintings on canvas often receive additional support or are transferred to a new backing.
^Cite error: The named reference lazarus was invoked but never defined (see the help page).
^Dardes and Rothe p.189
^Dardes and Rothe pp. 268–269
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