Paintings about the atomic bombings of Hiroshima and Nagasaki
The Hiroshima Panels (原爆の図, Genbaku no zu) are a series of fifteen painted folding panels by the collaborative husband and wife artists Toshi Maruki and Iri Maruki completed over a span of thirty-two years (1950–1982).[1] The Panels depict the consequences of the atomic bombings of Hiroshima and Nagasaki, as well as other nuclear disasters of the 20th century. Each panel stands 1.8 metres x 7.2 metres.[2]
The paintings depict people wrenched by the violence and chaos of the atomic bombing; some wandering aimlessly, their bodies charred, while others are still being consumed by atomic fire. Dying lovers embrace and mothers cradling their dead children. Each painting portrays the inhumanity, brutality, and hopelessness of war, and the cruelty of bombing civilians.[2] The people depicted in the paintings are not only Japanese citizens but also Korean residents and American POWs who suffered or died in the atomic bombings as well. During the occupation of Japan by the Allied powers, when reporting on the atomic bombing was strictly prohibited, the panels played a crucial role in making known the hidden nuclear suffering through a nationwide tour.[3]
The Marukis tried to represent all those affected so as to make their cause an international one and, above that, one of universal importance to all human beings. The use of traditional Japanese black and white ink drawings, sumi-e, contrasted with the red of atomic fire produce an effect that is strikingly anti-war and anti-nuclear.[4]
The panels also depict the accident of the Daigo Fukuryu Maru on the Bikini Atoll in 1954 which the Marukis believed showed the threat of a nuclear bomb even during peace time.
^Okamura, Yukinori (2019). "The Hiroshima Panels Visualize Violence: Imagination over Life". Journal for Peace and Nuclear Disarmament. 2 (2): 518–534. doi:10.1080/25751654.2019.1698141. S2CID 213000223.
^ abVoon, Claire (December 2015). "The Historic Painted Panels That Exposed the Hell of Hiroshima". Hyperallergic. Retrieved 25 March 2021.
^Okamura, Yukinori (2019-07-03). "The Hiroshima Panels Visualize Violence: Imagination over Life". Journal for Peace and Nuclear Disarmament. 2 (2): 518–534. doi:10.1080/25751654.2019.1698141. ISSN 2575-1654.
^"Iri and Toshi Maruki: Understanding The Hiroshima Panels". Hiroshima City Museum of Contemporary Art. Retrieved 25 March 2021.
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