For alleged supernatural events at Versailles, see Moberly–Jourdain incident.
The Ghosts of Versailles
Opera by John Corigliano
Librettist
William M. Hoffman
Language
English
Based on
La Mère coupable by Pierre Beaumarchais
Premiere
19 December 1991 (1991-12-19)
Metropolitan Opera, New York
The Ghosts of Versailles is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, with the premiere scheduled for 1983. Corigliano and Hoffman took as the starting point for the opera the 1792 play La Mère coupable (The Guilty Mother) by Pierre Beaumarchais.[1] They took seven years to complete the opera, past the initial deadline. The opera received its premiere on December 19, 1991, at the Metropolitan Opera, with the production directed by Colin Graham. The premiere run of seven performances was sold out.[2][3] The original cast included Teresa Stratas, Håkan Hagegård, Renée Fleming, Graham Clark, Gino Quilico, and Marilyn Horne. The Metropolitan Opera revived the opera in the 1994/1995 season.[4]
Corigliano considers this work a "grand opera buffa"[1] because it incorporates both elements of the grand opera style (large chorus numbers, special effects) and the silliness of the opera buffa style. Commentators have noted how the opera satirises and parodies accepted operatic conventions.[5][6]
^ abAllan Kozinn (15 December 1991). "Rushing in Where Copland Feared to Tread". The New York Times. Retrieved 2008-06-20.
^Edward Rothstein (21 December 1991). "For the Met's Centennial, A Gathering of Ghosts". The New York Times. Retrieved 2008-06-20.
^Allan Kozinn (13 January 1992). "Why Met's Ghosts Will Be Disembodied Until 1994–95 Season". The New York Times. Retrieved 2008-06-20.
^Edward Rothstein (5 April 1995). "A Young Opera Heavy With the Past". The New York Times. Retrieved 2008-06-20.
^Bernard Holland (31 December 1991). "The Ghosts of Versailles Fills The Tumbrels With Conventions". The New York Times. Retrieved 2008-06-20.
^Edward Rothstein (5 January 1992). "At the Met, Ghosts Come to Applaud Ghosts". The New York Times. Retrieved 2008-06-20.
and 23 Related for: The Ghosts of Versailles information
TheGhostsofVersailles is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had...
Reunite at Versailles". The New York Times. Mangan, Timothy (February 9, 2015). "'GhostsofVersailles' debuts at Los Angeles Opera". The Orange County...
TheGhostsofVersailles, was the Metropolitan Opera's first commission in nearly three decades, celebrating the company's 100th anniversary. The opera...
American lyric baritone known for performing the role of Figaro in 2016 Los Angeles Opera's GhostsofVersailles which earned him a Grammy Award. Lucas Meachem...
recording of Corigliano's TheGhostsofVersailles, which won two Grammy Awards. His first role in Germany was Des Grieux in Puccini's Manon Lescaut at the Oper...
scheduled to return to The Metropolitan Opera in 2010 to play Samira in John Corigliano's opera TheGhostsofVersailles. The Met canceled the expensive production...
This is a list of compositions by John Corigliano sorted by genre, date of composition, title, and scoring. John Corigliano webpage at G. Schirmer John...
Dominick Argento's The Aspern Papers and Léon in Corigliano's The GhostsofVersailles. Following studies in his native city, he made his debut as Count...
enjoyed by an all-time high of more than 159,000 students, teachers and community members. John Corigliano – TheGhostsofVersailles. James Conlon, Patricia...
Opera (2018) Macbeth for Los Angeles Opera (2016) TheGhostsofVersailles for Los Angeles Opera (2015) The Killer for Theatre for a New Audience, New York...
mastering engineer (Sarah Jarosz) Best Engineered Album, Classical TheGhostsofVersailles Mark Donahue, Fred Vogler & David L Williams, engineers (James...
the factotum) is an aria (cavatina) from The Barber of Seville by Gioachino Rossini, sung at the first entrance ofthe title character, Figaro. The repeated...
Competition (2010) Marilyn Horne Song Competition TheGhostsofVersailles (Brian Large, 1992) "Q&A: Director of opera studies wants students to see opera as...
The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile...
of popular musical styles. They were followed by composers such as Philip Glass (Einstein on the Beach), Mark Adamo, John Corigliano (TheGhostsof Versailles)...
Johnny Mercer and The Pied Pipers "Pescara to Genova to Paris" by Jaki Byard Trio "Phantasmagoria (On Themes from TheGhostsofVersailles)" by John Corigliano...
for her performance in the Los Angeles Opera's production ofTheGhostsofVersailles at the 59th Annual Grammy Awards. Racette has particularly excelled...