The Automatt was a sound recording studio in San Francisco, California, promoted for its early mix automation system. During its eight active years, 1976 to 1984, it was one of the top recording studios in the region. The Automatt was founded by producer David Rubinson and opened in an existing studio subleased from Columbia Records, who continued to record in the same building for a few years; thus it was sometimes referred to as CBS/Automatt. Rubinson leased the whole building in 1978 and from that point, operated three rooms for recording and mixing, a mastering room, a rehearsal room, and offices. The studio complex was known for its top-notch equipment, for the hit records it produced, and for the famous artists who recorded there. Under Rubinson and chief engineer Fred Catero it served as the training ground for respected recording engineers such as Leslie Ann Jones and producers such as Scott Mathews.[1][2]
^"Bay Area Legends: Man In Motion – Fred Catero". Mix. October 2, 2006. Archived from the original on February 17, 2009. Retrieved June 20, 2011.
^"Bay Area Legends: Exquisite Taste – Leslie Ann Jones". Mix. October 2, 2006. Retrieved June 20, 2011.
TheAutomatt was a sound recording studio in San Francisco, California, promoted for its early mix automation system. During its eight active years, 1976...
artists on the 415 label when he left Automatt to accept a position in Los Angeles as vice president of A&R for Columbia Records. He later held the same position...
September–October at theAutomatt studio. The owner of theAutomatt kept his collection of classic jukeboxes distributed around the various rooms of the studio complex...
Ann Jones (Automatt) Maureen Droney (Automatt) Michael Rosen (Automatt) John Nowl (Automatt) Fred Catero (Automatt) Jeffrey Cohen (Automatt) Tom Scott...
was located at 827 Folsom St. in San Francisco and later morphed into theAutomatt) and establishing an A&R head and office in San Francisco at Fisherman's...
theAutomatt. The small rehearsal room that had been the Pit was turned into Studio C, first used by John Fogerty to record Centerfield. Some of the tracks...
at 827 Folsom Street on the second floor of TheAutomatt building, the company's headquarters have, since 1972, been in the historic Sentinel Building...
cover design Tracks recorded at TheAutomatt, San Francisco Over-dubs and mixing at The Plant, Sausalito Mastered at The Mastering Lab, Hollywood Bill Thompson...
engineer Wayne Lewis, La'ertes Lee Muldrow – second engineers Recorded at The Automatt, San Francisco Mastered by John Golden at Kendun Recorders Bill Thompson...
to the group performing the song in the studio. The band's performance comprises most of the video until the song ends. At this point the man at the jukebox...
record at San Francisco's TheAutomatt studios; sometimes recording them on speculation, such that the studio would share in the profits from those record...
today with the Lollapalooza Festival, the Lilith Fair and related tour packages. In 1983, Pearlman leased Studio C in San Francisco's TheAutomatt Studios...
on a Dime is a folk-rock album by the Canadian singer-songwriter Ferron. It was originally released in 1984 on the independent label Lucy Records; subsequently...
Santana, and Taj Mahal. Rubinson also founded TheAutomatt Recording Studios and was the music producer for the film Apocalypse Now. David Rubinson was graduated...
of the song being the blues, stating that "of course the song has nothing to do with the blues." Several critics have noted the similarity of the line...
assistant engineer Bob Ludwig – mastering All songs recorded and mixed at TheAutomatt, Davlen Studios & Power Station Sister Sledge - All American Girls (1981)...
Global Information