Telefoni Bianchi (pronounced[teˈlɛːfoniˈbjaŋki]; white telephones) films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic.[1] The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.[2]
^Brunetta, Gian Piero (2000). Storia del cinema mondiale (in Italian). Vol. III. Einaudi. pp. 357–359. ISBN 88-06-14528-2.
^"Telefoni Bianchi" (in Italian). Retrieved 14 November 2022.
TelefoniBianchi (pronounced [teˈlɛːfoni ˈbjaŋki]; white telephones) films, also called deco films, were made by the Italian film industry in the 1930s...
period, the TelefoniBianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was in sharp contrast to TelefoniBianchi-American style...
Telefonibianchi (transl.White Telephones, internationally released as The Career of a Chambermaid) is a 1976 Italian comedy film directed by Dino Risi...
genre, the TelefoniBianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was a sharp contrast to the TelefoniBianchi-American style...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
from the general context. Calligrafismo is in a sharp contrast to TelefoniBianchi-American style comedies and is rather artistic, highly formalistic...
Vittorio Mussolini, son of Benito Mussolini), the critics attacked the TelefoniBianchi ("white telephone") films that dominated the industry at the time....
Thanks to the film's success, she immediately became a star in the TelefoniBianchi genre, and also got a seven-year contract with Metro-Goldwyn-Mayer...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
with Doris Duranti, a film actress of the period who starred in the TelefoniBianchi subgenre of light comedy films and prominently featured in the very...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
Tiber Italian futurism Italian neorealism Poliziotteschi White Phones TelefoniBianchi Other groups/movements: Budapest school Cinema da Boca do Lixo Dogme...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
cappello a tre punte (The Three Cornered Hat) during the so-called TelefoniBianchi cinema era. Her first big success came with the movie Mille lire al...
period, the TelefoniBianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was instead in a sharp contrast to TelefoniBianchi-American...
period, the TelefoniBianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was instead in a sharp contrast to TelefoniBianchi-American...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
(1975) as Livio Stefani Al piacere di rivederla (1976) as Mario Aldara Telefonibianchi (1976) as Adelmo Cattivi pensieri (1976) as Mario Marani Signore e...
la ronda del piacere (Midnight Pleasures, 1975) as Andrea Sansoni Telefonibianchi (1976) as Franco Denza Come una rosa al naso (Pure as a Lily, 1976)...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
traditional cinematic conventions of the preceding filmic era. The genre of TelefoniBianchi was one of two dominating genres of pre-war Italy. It involved highly...
assassini (1975) La dottoressa sotto il lenzuolo (1976) .... Alvaro Telefonibianchi (1976) .... The Son in the Brothel (uncredited) La poliziotta fa carriera...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
sink realism Soviet parallel Structural Surrealist Sword-and-sandal TelefoniBianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave...
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