Group of songs designed to be performed in sequence as a single entity
For the album by Van Dyke Parks, see Song Cycle (album). For the works by Graham Waterhouse, see Song cycles (Waterhouse).
A song cycle (German: Liederkreis or Liederzyklus) is a group, or cycle, of individually complete songs designed to be performed in sequence, as a unit.[1]
The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces.[2] The number of songs in a song cycle may be as brief as two songs[3] or as long as 30 or more songs.[1] The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of Koch’s Musikalisches Lexikon, but works definable in retrospect as song cycles existed long before then.[1] One of the earliest examples may be the set of seven Cantigas de amigo by the 13th-century Galician jongleur Martin Codax.[4] Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's The Briefe Discourse (1614) as the first of a number of early 17th-century examples in England.[5]
A song cycle is similar to a song collection, and the two can be difficult to distinguish. Some type of coherence, however, is regarded as a necessary attribute of song cycles. It may derive from the text (a single poet; a story line; a central theme or topic such as love or nature; a unifying mood; poetic form or genre, as in a sonnet or ballad cycle) or from musical procedures (tonal schemes; recurring motifs, passages or entire songs; formal structures). These unifying features may appear singly or in combination.[1] Because of these many variations, the song cycle "resists definition".[6] The nature and quality of the coherence within a song cycle must therefore be examined "in individual cases".[6]
^ abcdSusan Youens, Grove online
^One example is the set of Schubert songs from The Lady of the Lake. See the article on Schubert's "Ave Maria".
^Called dyad-cycles, according to Youens.
^Ferreira.
^Mark, Jeffrey. 'The Song-Cycle in England: Some Early 17th-Century Examples', in The Musical Times, Vol. 66, No. 986 (Apr. 1, 1925), pp. 325-328
^ abDaverio, Chapter 9, "The Song Cycle: Journeys Through a Romantic Landscape", German Lieder in the Nineteenth Century, ed. Rufus Hallmark, p. 366
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