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Social science fiction information


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Social science fiction is a subgenre of science fiction, usually (but not necessarily) soft science fiction, concerned less with technology/space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.[1]

Exploration of fictional societies is a significant aspect of science fiction, allowing it to perform predictive (The Time Machine, 1895; The Final Circle of Paradise, 1965) and precautionary (Brave New World, 1932; Nineteen Eighty-Four, 1949; Childhood's End, Fahrenheit 451, 1953) functions, to criticize the contemporary world (Gulliver's Travels, 1726; the works of Alexander Gromov, 1995–present) and to present solutions (Walden Two, Freedom™), to portray alternative societies (World of the Noon) and to examine the implications of ethical principles, as for example in the works of Sergei Lukyanenko.[1] More contemporary examples include The Lobster (2015), directed by Greek filmmaker Yorgos Lanthimos, and The Platform (2019).

  1. ^ a b "Archaeology in Fiction, Stories, and Novels". about.com. May 28, 2008

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