Global InformationSevdalinka information
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Sevdalinka (pronounced [seʋdǎliːŋka]), also known as Sevdah music, is a traditional genre of folk music originating in Bosnia and Herzegovina. Sevdalinka is an integral part of the Bosniak culture,[1][2][3][4] but is also spread across the ex-Yugoslav region, including Croatia, Montenegro, North Macedonia and Serbia.[5] The actual composers of many Sevdalinka songs are unknown because these are traditional folk songs.[6]
Sevdalinka songs are characterised by their slow or moderate tempo, elaborate structure, and intense, emotionally potent melodies. The singer will often impose a rhythm and tempo into the song, both of which can vary throughout the piece. Traditionally, Sevdalinkas are considered "women's songs", often addressing issues of longing and love, often unfulfilled and unrequieted, some exploring women's physical desires for their loved ones, and some even having a range of comedic elements.[7] However, there are Sevdah songs written and sung by men as well. Traditionally, they were performed without any instruments, hence their elaborate melodies. As with most old folk styles, what the sounds of the original melodies would have been like rests on conjecture, as their interpretations are now closely aligned, in part due to the historically increasing role of accompanying instruments, with the Western chromatic system (which stands in contrast to Oriental modes, which often use intervals smaller than a semitone). Modern interpretations of Sevdalinka songs are usually accompanied by a small orchestra featuring the accordion (as the most prominent instrument), the violin, the nylon-string guitar and/or other string instruments, such as the upright bass, the saz or šargija and occasionally the flute or clarinet, and the snare drum. In modern interpretations, an accordion or violin solo can almost always be heard between the verses.[8]
- ^ Buturovic, Amila; Schick, Irvin Cemil (26 September 2007). Women in the Ottoman Balkans: Gender, Culture and History, 2007, p 80. Bloomsbury Academic. ISBN 9781845115050.
- ^ Slobin, Mark (1996). Retuning Culture: Musical Changes in Central and Eastern Europe, 1996, p 123. Duke University Press. ISBN 0822318474.
- ^ Hemetek, Ursula (2004). Manifold Identities: Studies on Music and Minorities, 2004, p 197. Cambridge Scholars Press. ISBN 9781904303374.
- ^ Alfred KUEPPERS (8 November 2014). "The Story of Sevdalinke, Part I: The Saz". Balkanist. Retrieved 15 December 2023.
- ^ Dragiša Živković (1971). Živan Milisavac (ed.). Jugoslovenski književni leksikon [Yugoslav Literary Lexicon]. Novi Sad (SAP Vojvodina, SR Serbia: Matica srpska. pp. 479–480.
- ^ "Sevdah u Narodnom (19.12.2018.)". YouTube. 13 February 2020.
- ^ Alfred KUEPPERS (8 November 2014). "The Story of Sevdalinke, Part III: The Music Today". Balkanist. Retrieved 15 December 2023.
- ^ Alfred KUEPPERS (20 September 2014). "The Story of Sevdalinke, Part II: The Musical Evolution". Balkanist. Retrieved 15 December 2023.