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Sequenza (Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio.[1] The pieces, some of which call for extended techniques, are:
Sequenza I (1958; rev. 1992) for flute
Sequenza II (1963) for harp
Sequenza III (1965) for female voice
Sequenza IV (1965) for piano
Sequenza V (1966) for trombone
Sequenza VI (1967) for viola
Sequenza VII (1969/2000) for oboe (reworked as Sequenza VIIb for soprano saxophone in 2000)
Sequenza VIII (1976) for violin
Sequenza IX (1980) for clarinet (reworked 1981 as Sequenza IXb for alto saxophone, and 1980 as Sequenza IXc for bass clarinet)
Sequenza X (1984) for trumpet and piano resonance
Sequenza XI (1987) for guitar
Sequenza XII (1995) for bassoon
Sequenza XIII (1995) for accordion
Sequenza XIV (2002) for cello (reworked in 2004 by Stefano Scodanibbio as Sequenza XIVb for double bass)
Several of these pieces became the basis of larger works:
Sequenza II, with the addition of extra instrumental parts around the original solo, became Chemins I.
Sequenza VI developed into Chemins II, Chemins IIb, Chemins IIc and Chemins III.
Sequenza VII became Chemins IV.
Sequenza XI became Chemins V.
Sequenza X became Kol-Od, also known as Chemins VI.
Sequenza IXb became Récit, also known as Chemins VII.
Sequenza VIII became Corale.
Conversely, Sequenza IX grew out of a piece for clarinet and electronics (later withdrawn), originally known as Chemins V; NB it is not the same as the work with the same title which originates from Sequenza XI.
^"WORKS | Centro Studi Luciano Berio - Luciano Berio's Official Website".
are: Sequenza I (1958; rev. 1992) for flute Sequenza II (1963) for harp Sequenza III (1965) for female voice Sequenza IV (1965) for piano Sequenza V (1966)...
1968 composition Sinfonia and his series of virtuosic solo pieces titled Sequenza), and for his pioneering work in electronic music. His early work was influenced...
Sequenza I is a composition written in 1958 by Luciano Berio for the flutist Severino Gazzelloni. It was first published by Suvini-Zerboni, but the notation...
Sequenza XI for solo guitar (1987–1988) is one of a series of Sequenzas by Luciano Berio. Written for the American guitarist Eliot Fisk, it is an innovative...
Sequenza X is a composition for trumpet and piano by Luciano Berio, the tenth in his series of pieces with this title. The work was commissioned by the...
became Sequenza IX.) Sequenza IXa for clarinet (1980); drawn from Chemins V (1980); arranged as Sequenza IXb (1980) and Sequenza IXc (1980) Sequenza IXb...
Sequenza V is a composition for solo trombone by Luciano Berio, part of his series of pieces with this title. Written in 1966 for Stuart Dempster, it has...
Sequenza VII (composed 1969) is a composition for solo oboe by Luciano Berio, the seventh of his fourteen Sequenze. The sequenza calls for extended technique...
Sequenza XII is a composition for solo bassoon, written by Luciano Berio in 1995 (Osmond-Smith 2001), and part of a series of fourteen Sequenze composed...
Sequenza II is a composition for unaccompanied harp by the Italian composer Luciano Berio. Written for and premiered by the French harpist Francis Pierre...
Sequenza IV for solo piano (composed in 1965–66, revised in 1993) is the fourth in a series of solo Sequenze by Luciano Berio that started with the publication...
Sequenza VI is a composition for solo viola by Luciano Berio, part of his series of fourteen Sequenze. Sequenza VI was written in 1967 for Serge Collot...
bass arrangement of Luciano Berio's 2002 solo cello work Sequenza XIV with the new title Sequenza XIVb. Since there is no established instrumental ensemble...
effect can be created. Berio makes extended use of this technique in his Sequenza X. Noises: By hissing, clicking, or breathing through the instrument, the...
practice mutes for special effect, for example, at the end of Luciano Berio's Sequenza VIII for solo violin. Since the Baroque era, the violin has been one of...
the expressive possibilities of the accordion/bayan. Luciano Berio wrote Sequenza XIII (1995) for accordionist Teodoro Anzellotti. Accordionists like Mogens...
Pa.G. "La Terra vista dalla Luna" in The Witches "Che cosa sono le nuvole?" in Caprice Italian Style "La sequenza del fiore di carta" in Love and Anger...
French horns, and strings (before 1825) Luciano Berio, Chemins IV (on Sequenza VII), for oboe and string orchestra (1975) Harrison Birtwistle, An Interrupted...
applications of the rasgueado technique can be seen in Luciano Berio's "Sequenza XI" and Tristan Murail's solo guitar piece Tellur. This technique is used...
allés (1978; for Paul Sacher) Sequenza VIb (1981) Chanson pour Pierre Boulez (Song for Pierre Boulez) (2000) Sequenza XIV (2002) Christoph Otto Beyer...
Times review called it "impossible to resist". NY Times- February 4, 2008 Sequenza 21 review said "[Friedman] goes a lot further toward sustaining interest...
Music Différences Circles Kol-Od Instrumental music Cinque variazioni Sequenza (I, II, IV, V, VI, VII, X, XI, XII) Vocal music Folk Songs Sinfonia A-Ronne...
(1967) "Che cosa sono le nuvole?" in Capriccio all'Italiana (1968) "La sequenza del fiore di carta" in Amore e rabbia (1969) Comizi d'amore (1964) Sopralluoghi...
Fire'), by composers Para One and Arthur Simonini. The song—performed by Sequenza 9.3, with Catherine Simonpiétri conducting[citation needed]—is scored for...
Archived from the original on 22 July 2011. Retrieved 27 February 2011. "Una sequenza di sei curve pericolose". La Stampa (in Italian). Editrice La Stampa. 8...
(in Italian). Retrieved 12 November 2021. "Portate a tavola: qual è la sequenza corretta per non sbagliare?" (in Italian). 12 June 2020. Retrieved 12 November...
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