On the Sensations of Tone as a Physiological Basis for the Theory of Music (German Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik), commonly referred to as Sensations of Tone, is a foundational work on music acoustics and the perception of sound by Hermann von Helmholtz.[1]
The first German edition was published in 1863. The English translation by Alexander J. Ellis was first published in 1875 (the first English edition was from the 1870 third German edition; the second English edition from the 1877 fourth German edition was published in 1885; the 1895 and 1912 third and fourth English editions were reprints of the second edition).[2][3] The editions translated into English contain detailed commentary and notes (titled "Additions by the Translator") by Ellis.[4]
Helmholtz declared that he started working on his book in 1854, which concluded in 1862.[5]
Helmholtz started publishing on acoustics in 1852. His last article on acoustics was in 1878, reviewing the book by Lord Rayleigh (Theory of Sound). Therefore, Helmholtz published articles/books and gave lectures on acoustics for at least 24 years.[5]
The book's introduction, Dover edition from 1954,[6] by the German physicist Henry Margenau, with a list of selected publications by Helmholtz, is available here.
^Helmholtz, Hermann von (1863). Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik [The Study of the Sensations of Tone as a Physiological Foundation for Music Theory] (in German) (1 ed.).
^Helmholtz, Hermann von (1885) [1870]. Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik [The Study of the Sensations of Tone as a Physiological Foundation for Music Theory]. Translated by Ellis, A. J. (2 ed.).
^Helmholtz, Hermann von (1912) [1870]. Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik [The Study of the Sensations of Tone as a Physiological Foundation for Music Theory]. Translated by Ellis, A. J. (4 ed.) – via Internet Archive.
^Dufin, Ross W. (2008). How Equal Temperament Ruined Harmony (and Why You Should Care). W. W. Norton. pp. 105–106. ISBN 9780393334203. OCLC 227016333.
^ abCahan, David (11 September 2018). Helmholtz : A Life in Science. ISBN 978-0-226-54916-3. OCLC 1198932130.
^Helmholtz, Hermann von (1954). On the Sensations of Tone as a Physiological Basis for the Theory of Music (Second edition in English, translated by Alexander Ellis from the fourth German edition (1877), published in 1885 – facsimile by Dover Editions, 1954 ed.). New York: Dover Publications.
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Foundations of Sound". Retrieved 11 March 2017. Helmholtz, H.; Ellis, A.J. "The History of Musical Pitch in Europe". On the SensationsofTone. Translated...
the eye, theories of vision, ideas on the visual perception of space, colour vision research, the sensationoftone, perceptions of sound, and empiricism...
Hermann L. F.; Ellis, Alexander J. (1875). On the sensationsoftone as a physiological basis for the theory of music. London, UK: Longmans, Green, and Co....
"On The SensationsOfTone" he used the German "Obertöne" which was a contraction of "Oberpartialtöne", or in English: "upper partial tones". According...
OCLC 18071070. Helmholtz, Hermann von. On the sensationsoftone as a physiological basis for the theory of music. Ellis, Alexander John, 1814-1890. (Second...
Helmholtz wrote in On the SensationsofTone that a Chinese prince (see below) introduced a scale of seven notes, and that the division of the octave into twelve...
(45:54:64) in the notation system used in On the SensationsofTone as a Physiological Basis for the Theory of Music. Play Perfect, Preferred (5-limit major)...
philosopher. His book On the SensationsofTone as a Physiological Basis for the Theory of Music is a revolutionary compendium of several studies and approaches...
ISBN 978-0-8218-4873-9. Helmholtz, Hermann (1954). On the SensationsofTone as a Physiological Basis for the Theory of Music. Translated by Ellis, Alexander J. New...
standard twelve-tone equal temperament of Western concert music when he discovered a translation of Hermann von Helmholtz's SensationsofTone. The book pointed...
Hawking (ed.). Harmonies of the World. Running Press. p. 22. ISBN 0-7624-2018-9. Hermann von Helmholtz (1912). On the SensationsofTone as a Physiological...
Helmholtz, Hermann (1954). On the SensationsofTone. Dover Publications. ISBN 0-486-60753-4. Partch, Harry (1974). Genesis of a Music. Da Capo Press. ISBN 0-306-80106-X...
into English by A.J. Ellis as On the SensationsofTone (1875). Helmholtz based his notation on the practice of German organ builders for labelling their...
Alexander J. (1885), On the SensationsofTone (Second English ed.), Dover Publications, p. 435. On the SensationsofTone at the Internet Archive Lindley...
exactness of equally tempered and mathematical chords, invented and executed by Heinrich Scheibler, silk manufacturer in Crefeld.' — SensationsofTone (1885)...
chord consists of a generator with lower major third and fifth. Hermann von Helmholtz observed in On the SensationsofTone that the toneof a string tuned...
of the coloured striations of the liquid film. Taylor's translated into English Hermann von Helmholtz's 1862 classical treatise on the sensationsof tone...
von Helmholtz, H.L.; Ellis, A.J. (1954). On the SensationsofTone as a Physiological Basis for the Theory of Music. Translated by Ellis, A.J. (reprint ed...
Following the method of notation suggested by Helmholtz in his classic On the SensationsofTone as a Physiological Basis for the Theory of Music, incorporating...
correspondence. Helmholtz's The SensationsofTone is credited with inspiring Bell, at the age of 23, to further his studies of electricity and electromagnetism...
for exchange of long-term ambient sound data. JASA Express Letters, 1(1), 011203. Hermann von Helmholtz (1912). On the sensationsoftone as a physiological...
ISBN 0-415-12411-5. Hermann von Helmholtz (1885). On the SensationsofTone as a Physiological Basis for the Theory of Music, p. 454. Benson, Dave (2006). Music: A...
(2005). On the SensationsofTone as a Physiological Basis for the Theory of Music, p. 457. ISBN 1-4191-7893-8. "Cents in interval: 590, Name of Interval:...
Ellis (1912). On the SensationsofTone as a Physiological Basis for the Theory of Music, p.456. Partch, Harry (1979). Genesis of a Music, p.68. ISBN 0-306-80106-X...
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