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Sean Landers (born 1962) is an American artist. He is best known for using his personal experience as public subject matter[1][2] and for utilizing diverse styles and media in a performative manner,[2][3][4] and is especially known for his word art.[5] His work encompasses many media: painting, sculpture, photography, drawing, writing, video and audio, and he uses humor and confession, gravity and pathos in it,[4][6][7] blurring the lines between fact and fiction, reality and fantasy, sincerity and insincerity.[7][8]
Landers lives and works in New York City[9]
^Ha, Paul, Cynthia Daignault and Michelle Reyes Landers, eds. Sean Landers: 1990–1995, Improbable History. Zürich: JRP|Ringier Kunstverlag AG, Contemporary Art Museum St. Louis, 2011. Essay: Joao Ribas, “Sean Landers has 171 Friends”, 63
^ abHa, Paul, Cynthia Daignault and Michelle Reyes Landers, eds. Sean Landers: 1990–1995, Improbable History. Zürich: JRP|Ringier Kunstverlag AG, Contemporary Art Museum St. Louis, 2011. Essay: Andrea K. Scott, “Failing Better”, 23
^Hafner, Hans-Jürgen. “Dirty Clown. Sean Landers.” Spike Art Quarterly, September 2005, 66.
^ abPress Release for 2007 solo exhibition at Andrea Rosen Gallery, New York. Archived 2012-07-21 at archive.today
^Cohen, Alina (January 5, 2019). "13 Artists Who Highlight the Power of Words". Artsy. Retrieved May 19, 2021.
^Sean Landers, The Booby, Oil on linen, 1998
^ abPress Release for 2010 solo exhibition at the Contemporary Art Museum St. Louis.
^Decter, Joshua. “New York in Review: Sean Landers.” Arts, February 1991, 105.
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