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Saptak information


Saptak means "gamut" or "the series of seven notes". It denotes the set of swaras i.e. Shadja (Sa), Rishabha (Ri), Gāndhāra (Ga), Madhyama (Ma), Panchama (Pa), Dhaivat (Dha), Nishada (Ni), Shadja (Sa) which comprise a musical scale in Indian classical music. In Sanskrit, saptak literally means "containing seven" and is derived from the Sanskrit word Sapta which means "seven". The Saptak comprises the Sapta Svaras, i.e. the seven svaras or the seven notes of classical music.

The basic saptak is called the Madhya Saptak (Devanagari: मध्य सप्तक). For notes with lower frequencies, the artist may use the Mandra Saptak (Devanagari: मंद्र सप्तक)', which is an octave lower than the Madhya Saptak. For notes with higher frequencies, the Taar Saptak (Devanagari: तार सप्तक), which is an octave above the Madhya Saptak, is used.

The usual scale of Indian music spans from Sa in the Madhya Saptak to Sa in the higher, Taar Saptak. This inclusion of the first note of the higher saptak makes eight notes instead of the seven in each Saptak.[1][verification needed]

Generally, a raga involves notes from three saptaks. The notes in the lower saptak are denoted by an apostrophe before the note representation (or a dot below the note representation) and the notes in the upper saptak are denoted by an apostrophe after the note representation (or a dot above the note representation).

For example:

  • Mandra Saptak : Ṣ or Ş or 'S
  • Madhya Saptak : S
  • Taar Saptak  : Ṡ or Ŝ or S'

Talking about frequencies of the svaras, the frequencies change for all svaras i.e. Sa 240 Hz, Re 270 Hz, Komal Ga 288 Hz, Ma 320 Hz, Pa 360 Hz, Dha 405 Hz, and Komal Ni 432 Hz. Consequently, the Sa after the Ni of 432 Hz has a frequency of 480 Hz i.e. double the Lower saptak Sa, as do all 6 other svaras. Considering the Sa of the Madhya Saptak, the frequencies of the other svaras would be,

                  Sa      Re       Ga     Ma      Pa      Dha     Ni
  Mandra Saptak: 120 Hz, 135 Hz, 144 Hz, 160 Hz, 180 Hz, 202.5 Hz, 216 Hz.}
  Madhya Saptak: 240 Hz, 270 Hz, 288 Hz, 320 Hz, 360 Hz, 405 Hz, 432 Hz.} 
   Taar   Saptak: 480 Hz, 540 Hz, 576 Hz, 640 Hz, 720 Hz, 810 Hz, 864 Hz.}
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Saptak

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The Saptak Annual Festival of Music is an annual thirteen-day Indian classical music festival held in Ahmedabad, India. It is organised by Saptak School...

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his revolutionary activities against British colonial rule. He edited the Saptak series which gave rise a new trends in Hindi poetry, known as Nayi Kavita...

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Puriya Dhanashree

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S+ is used to move into the taara saptak (higher octave). The transition from the taara saptak Re to the Madhya Saptak Ni is commonly through the use of...

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from Team Deep. The runner-ups were Shrijay Thapaliya, Kushal Acharya and Saptak Durtraj from Team Pramod, Team Sanup and Team Aabhaya respectively. The...

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retrieved 29 September 2014 Saptak Annual Festival, 30 December 2009 - Saptak Annual Festival - Saptak Annual Festival - Saptak Annual Festival "Theatre...

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Hariprasad Chaurasia

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Adi-Ananth Love Divine - Parables of Passion Power & Grace - Live at the Saptak Festival 2001 Discovery of Indian Classical Music Flute Duet 2003 Flute...

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immediately followed by 1 indicates the mandra saptak (lower octave) and ' indicates the taar saptak (higher octave). A few movements in Bhopali are...

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the second, third, sixth and seventh degrees of heptatonic scale forms (saptak) are also allowed only two inflections each, in this case, one natural position...

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Bharat Bhushan Agarwal

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for their poem Utna Vah Suraj Hai. He was also an important poet of Tar Saptak edited by Agyeya. Bharat Bhushan Agrawal was born on 3 August 1919 in Mathura...

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kids for a character in the film, but he didn't like any of them. Singer Saptak Bhattacharjee, who is a close acquaintance of Aryann and who sang a number...

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Gujarat Vidhya Sabha, Gujarati Sahitya Parishad and Gujarat Sahitya Sabha. Saptak School of Music festival is held in the first week of the new year. This...

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Nagpur

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Aditya Kalyanpur

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