Round Heads and Pointed Heads (German: Die Rundköpfe und die Spitzköpfe) is an epic parable play written by the German dramatist Bertolt Brecht, in collaboration with Margarete Steffin, Emil Burri, Elisabeth Hauptmann, and the composer Hanns Eisler.[1] The play's subtitle is Money Calls to Money and its authors describe it as "a tale of horror."[2] The play is a satirical anti-Nazi parable about a fictitious country called Yahoo in which the rulers maintain their control by setting the people with round heads against those with pointed heads, thereby substituting racial relations for their antagonistic class relations.[3] The play is composed of 11 scenes in prose and blank verse and 13 songs. Unlike another of Brecht's plays from this period, The Mother, Round Heads and Pointed Heads was addressed to a wide audience, Brecht suggested, and took account of "purely entertainment considerations."[4] Brecht's notes on the play, written in 1936, contain the earliest theoretical application of his "defamiliarization" principle to his own "non-Aristotelian" drama.[5]
^The play is translated as Round Heads and Pointed Heads in volume 4 of the standard critical edition of the plays of Bertolt Brecht, edited by Tom Kuhn and John Willett. The play is also translated as Round Heads and Peaked Heads[citation needed], Roundheads and Peakheads (trans. N. Goold-Verschoyle, Grove Press 1966, reprinted 1994) or Roundheads and Pointheads (translation by Michael Feingold). The Goold-Verschoyle translation, the first English version of the play, was originally published in the U.S.S.R. in 1937. see Willett (1959, p.41). Margarete Steffin is named "Mitarbeiter" by Brecht in his Collected Works (1955). See Willett (1967, 42-43) and Thomson and Sacks (1994, 190).
^Brecht (2001, 1).
^Cite error: The named reference w was invoked but never defined (see the help page).
^Brecht describes the play in this way in his essay "On the Use of Music in an Epic Theatre." See Brecht (1964, 89).
^Brecht (1964, 103).
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