Queering The Pitch: The New Gay and Lesbian Musicology is a 1994 book edited by Philip Brett, Elizabeth Wood, and Gary C. Thomas.[1][2] It was published in the United States by Routledge and focuses on the impact of factors such as sexuality or race has on a musician's music.[3]
^Brett, Philip; Wood, Elizabeth; Thomas, Gary (1994). Queering The Pitch: The New Gay and Lesbian Musicology. New York, NY: Routledge. pp. 357.
^Cook, Susan C. (1996). "Review of Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England, ; The Sight of Sound: Music, Representation, and the History of the Body, Richard Leppert; Rediscovering the Muses: Women's Musical Traditions, ; Queering the Pitch: The New Gay and Lesbian Musicology". Signs. 21 (3): 769–774. doi:10.1086/495113. JSTOR 3175186.
^Miller, Edward (24 April 2018). "Queering The Pitch: The New Gay and Lesbian Musicology".
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