Print Quarterly is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first centuries. It is published in London four times a year, in March, June, September, and December. It was founded in 1984 by the scholar, patron of the arts and business man David Landau, who served as editor for twenty-eight years. The current editor Rhoda Eitel-Porter joined the staff of the periodical in September 2010. The journal's editorial board comprises notable academics and curators working in prints history and the graphic arts.[1]
The journal publishes recent scholarship on all things related to prints. It covers the Western tradition in the graphic arts as well as Asian, Latin-American and African printmaking. Articles consider the role and import of the print from a number of perspectives including those of social and cultural history, iconography, biography, and collecting. Reviews of recent books related to the graphic arts and of catalogues of exhibitions of works on paper are also included.
Recent contributions have treated such diverse subjects as Francesco Salviati, the influence of a seventeenth-century fencing manual, Jean-Étienne Liotard, a quiz on an unidentified etching, the collector Pierre-Jean Mariette, Utagawa Kuniyoshi, Whistler, Soviet and Vietnamese posters, Jim Dine, comic strips, Ad Reinhardt, William Kentridge and digital prints.
The content lists for each volume from 1984 to 2009 are published online and can be searched at the journal's website, http://www.printquarterly.com, and through the Getty Research Institute's Bibliography for the History of Art.[2]
^"Home". printquarterly.com.
^For content through 2007, see http://www.getty.edu/research/tools/bha/index.html
PrintQuarterly is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first...
Gallery of Ireland, Dublin. Clarke, Jay (2014). "Munch on Paper". PrintQuarterly. 31: 237–243. Dolnick, Edward (2005). The Rescue Artist: A True Story...
ISSN 0037-5411. Schwartz, Gary (1988). "Dutch Prints in the Age of Iconoclasm". PrintQuarterly. 5 (2): 173–182. ISSN 0265-8305. "Albrecht Dürer (1471-1528) - The...
p. 455 Tinios, Ellis (June 2015). "Hokusai and his Blockcutters". PrintQuarterly. XXXII (2): 186–191. Hillier, Jack R. (1980). The Art of Hokusai in...
by Sallaert, in: PrintQuarterly Vol. 12, No. 2 (JUNE 1995), p. 164-169 M. Royalton Kisch, A Monotype by Sallaert, in: PrintQuarterly, 1988, V, n. 1,...
Documents". PrintQuarterly. XXXVIII (2). Bury, Michael (June 2021). "Francesco de Nanto in Rome 1524-26: New Documents". PrintQuarterly. XXXVIII (2)...
'Tribulations of St Anthony': Its Iconography and Influence on German Art". PrintQuarterly. 1 (4): 226. JSTOR 41823641. The Temptation of Saint Anthony by Joos...
1991). "Kunisada and the Last Flowering of "Ukiyo-e" Prints". PrintQuarterly. 8 (4). PrintQuarterly Publications: 342–362. JSTOR 41824668. Sebastian Izzard...
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Michael Healey, 'Jeffery Edwards and the Interruption of Nothingness', PrintQuarterly, XXXIII, 2016, 2, pp.167-171 James R. Mellow, 'New British Graphics...
Gunn, "Sandby, Greville and Burdett, and the 'Secret' of Aquatint," PrintQuarterly, XXIX, no. 2, 2012, pp. 178–180. Griffiths, 94 Mayor, 374–376 Griffiths...
Wenceslas Hollar and the Lost Lisbon Monouments by Francois Duquesnoy". PrintQuarterly. 36 (1): 17–30. Stocker, Mark; Kaspar, Julia; Sirvid, Phil (December...
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Michael, The Print in Italy 1550–1620, London, 2001. Gabarelli, Jamie, ‘Philippe Thomassin and Giulio Mancini’s Art Collection’, PrintQuarterly, XXXII, December...
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